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SCARS
What we want to say but can’t we cover with a blue transparent mantle, scars where the silence speaks its truth and little by little rots our tongue.
My scars have grown with me. For years they have dwelt on my body, discreet, mute flowers I’ve been unable to offer anyone.
I look on them tenderly at times, even pinch them but they don’t respond.
At others I look on them with horror, thinking that someone tried correcting me but failed, leaving me in silence under a blue transparent mantle.
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EARS
My ears are my strength. Without them I would hear absolutely everything: the buzzing of flies, the crunching of sand, the music of kettledrums. They do my listening for me, transforming words into other universes, garbage into rhythm and whispers into silly phrases that make me laugh and laugh.
My ears protect me. All the evil in the world smacks against their bubble and shatters at my feet so I can say: “I know you, come by whenever you like,”
listening to it, ears wide open.
© Eduardo Chirinos
From: "Written in Misoula", ("Escrito en Missoula")
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Santiago de Chuco, 1988
En el pueblo ***********************
TANTAS VECES me he llenado la mano de ti, y tú
Ah, si tan sólo escuchara tu voz.
Pero nunca me dirigiste la palabra
Eduaro Chirinos (Lima, 1960), is author of a vast number of poetry collections which started in 1981 with Quadernos de Horacio Morell and continued with Crónicas de un ocioso (1983), Archivos de huellas digitales (1985), Sermón sobre la muerte (1986), Rituales del conocimiento y del sueño (1987), El libro de los encuentros (1988), Canciones del herrero del arca (1989), Recuerda, cuerpo…(1991), El equilibrista de Bayard street (1998), Raritan blues (antología personal 1978-1996). He published as well a number of essays, including Loco Amor, poesía Peruana contemporanea. He lives in Philadelphia as a professor of Spanish literature at the University of Pennsylvania. Eduardo Chirinos is certainly one of the most interesting poetic voices of Peru, native country of the great Peruvian poet Cesar Vallejo.
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