{"id":3700,"date":"2018-09-26T16:23:46","date_gmt":"2018-09-26T14:23:46","guid":{"rendered":"http:\/\/www.point-editions.com\/?p=3700"},"modified":"2018-09-26T16:23:46","modified_gmt":"2018-09-26T14:23:46","slug":"threshold","status":"publish","type":"post","link":"https:\/\/www.point-editions.com\/en\/threshold\/","title":{"rendered":"THRESHOLD"},"content":{"rendered":"<p><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-3701 aligncenter\" src=\"http:\/\/www.point-editions.com\/wp-content\/uploads\/2018\/09\/Imagen-1-16.12.44-300x180.png\" alt=\"\" width=\"300\" height=\"180\" srcset=\"https:\/\/www.point-editions.com\/wp-content\/uploads\/2018\/09\/Imagen-1-16.12.44-300x180.png 300w, https:\/\/www.point-editions.com\/wp-content\/uploads\/2018\/09\/Imagen-1-16.12.44-600x360.png 600w, https:\/\/www.point-editions.com\/wp-content\/uploads\/2018\/09\/Imagen-1-16.12.44-200x120.png 200w, https:\/\/www.point-editions.com\/wp-content\/uploads\/2018\/09\/Imagen-1-16.12.44-768x461.png 768w, https:\/\/www.point-editions.com\/wp-content\/uploads\/2018\/09\/Imagen-1-16.12.44.png 772w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p style=\"text-align: center;\"><strong>THRESHOLD<\/strong><\/p>\n<p style=\"text-align: center;\">At which erogenous<\/p>\n<p style=\"text-align: center;\">zone<br \/>\nof this language,<br \/>\nnomad,<\/p>\n<p style=\"text-align: center;\">tattoos the star of absence?<\/p>\n<p style=\"text-align: center;\">The poem,<br \/>\na shelter without roots,<\/p>\n<p style=\"text-align: center;\">opens<\/p>\n<p style=\"text-align: center;\">to the obscure appeal<br \/>\nof the roads.<\/p>\n<p style=\"text-align: center;\">Idriss OUADOUL, Morocco (1962)<br \/>\nTranslation Germain Droogenbroodt \u2013 Stanley Barkan<\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>THRESHOLD At which erogenous zone of this language, nomad, tattoos the star of absence? The poem, a shelter without roots, opens to the obscure appeal of the roads. Idriss OUADOUL, Morocco (1962) Translation Germain Droogenbroodt \u2013 Stanley Barkan<\/p>\n","protected":false},"author":1,"featured_media":3701,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_wp_rev_ctl_limit":""},"categories":[14],"tags":[],"_links":{"self":[{"href":"https:\/\/www.point-editions.com\/en\/wp-json\/wp\/v2\/posts\/3700"}],"collection":[{"href":"https:\/\/www.point-editions.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.point-editions.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.point-editions.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.point-editions.com\/en\/wp-json\/wp\/v2\/comments?post=3700"}],"version-history":[{"count":1,"href":"https:\/\/www.point-editions.com\/en\/wp-json\/wp\/v2\/posts\/3700\/revisions"}],"predecessor-version":[{"id":3702,"href":"https:\/\/www.point-editions.com\/en\/wp-json\/wp\/v2\/posts\/3700\/revisions\/3702"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.point-editions.com\/en\/wp-json\/wp\/v2\/media\/3701"}],"wp:attachment":[{"href":"https:\/\/www.point-editions.com\/en\/wp-json\/wp\/v2\/media?parent=3700"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.point-editions.com\/en\/wp-json\/wp\/v2\/categories?post=3700"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.point-editions.com\/en\/wp-json\/wp\/v2\/tags?post=3700"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}