{"id":5675,"date":"2022-07-13T15:22:22","date_gmt":"2022-07-13T16:22:22","guid":{"rendered":"https:\/\/www.point-editions.com\/?p=5675"},"modified":"2022-07-13T15:22:48","modified_gmt":"2022-07-13T16:22:48","slug":"732-delirious-fernando-alonso-uruguay-2","status":"publish","type":"post","link":"https:\/\/www.point-editions.com\/ww\/732-delirious-fernando-alonso-uruguay-2\/","title":{"rendered":"732 | Delirious – Fernando Alonso, Uruguay"},"content":{"rendered":"

<\/p>\n

\"illustratie<\/p>\n

Painting by John Hacking, Netherlands <\/em><\/p>\n

Poem of the Week Ithaca 732 \u201c<\/strong>DELIRIOUS<\/strong>\u201d, <\/strong>(1975)<\/strong><\/p>\n

from the book: \u201c<\/em>\u201cFuriosa Calma<\/em>\u201d<\/p>\n

– All translations are made in collaboration with Germain Droogenbroodt <\/strong>–<\/strong><\/p>\n

Poem in French, Italian, German, Greek, Portuguese, Romanian, Icelandic and in Albanian, Arabic, Armenian, Bangla, Bosnian, Catalan, Chinese, Farsi, Hebrew, Hindi, Indonesian, Irish (Gaelic), Japanese, Kiswahili, Kurdish, Macedonian, Polish, Russian, Serbian, Sicilian, Tamil<\/p>\n

DELIRANT<\/strong><\/p>\n

La nuit me trouvera au coeur d\u2019un po\u00e8me,
\nserein,
\nmais avec la fureur du po\u00e8te
\ndivaguant sur tous les sains d\u2019esprit
\ncomme de souhaiter gu\u00e9rir une soci\u00e9t\u00e9 malade<\/p>\n

Les oiseaux nocturnes de mon esprit
\n\u00e9criront ce qui ne m\u2019est pas encore arriv\u00e9<\/p>\n

P\u00e8seront sur mon cerveau les animaux gigantesques de l\u2019oubli<\/p>\n

La certitude sera-t-elle encore n\u00e9cessaire
\nsans parler de l\u2019incertitude
\nde savoir
\nce qui se passera demain?<\/p>\n

Maintenant
\nje plante
\nune parole<\/p>\n

oxyg\u00e8ne vert.<\/p>\n

\u00a0<\/strong><\/p>\n

FERNANDO ALONSO<\/strong>, Uruguay (1975)<\/p>\n

Traduction Germain Droogenbroodt \u2013 Elisabeth Gerlache<\/em><\/strong><\/p>\n

***<\/p>\n

DELIRANTE<\/strong><\/p>\n

La notte mi incontrer\u00e0 nel mezzo di una poesia
\ncalma
\nma con la furia del poeta
\ndeliranti sopratutto i sani
\ncome a guarire una societ\u00e0 malata.<\/p>\n

Gli uccelli notturni della mia mente
\nscriveranno ci\u00f2 che ancora non ho pensato,<\/p>\n

giganteschi animali dell\u2019oblio peseranno sul mio cervello.<\/p>\n

La certezza non sar\u00e0 necessaria
\ne nemmeno l\u2019incertezza
\ndi sapere
\ncosa pu\u00f2 accadere domani?<\/p>\n

adesso
\npianto
\nuna parola<\/p>\n

verde ossigeno.<\/p>\n

FERNANDO ALONSO<\/strong>, Uruguay (1975)<\/p>\n

Traduzione di Luca Benassi<\/em><\/strong><\/p>\n

\n

***<\/p>\n

WAHNSINNIG<\/strong><\/p>\n

Die Nacht wird mich inmitten eines Gedichtes finden
\nruhig
\naber mit der Wut des Dichters
\nwahnsinnig wegen all der Vern\u00fcnftigen
\nals ob ich eine kranke Gesellschaft heilen wolle.<\/p>\n

Die Nachtv\u00f6gel meines Geistes
\nwerden schreiben, was mir noch nicht in den Sinn gekommen ist<\/p>\n

gigantische Tiere des Vergessens werden auf meinem Gehirn lasten.<\/p>\n

Die Sicherheit wird nicht mehr n\u00f6tig sein
\nganz zu schweigen von der [und noch weniger die..] Unsicherheit
\nzu wissen
\nwas wird morgen passieren?<\/p>\n

Jetzt
\npflanze ich
\nein Wort<\/p>\n

sauerstoffgr\u00fcn.<\/p>\n

FERNANDO ALONSO<\/strong>, Uruguay (1975)<\/p>\n

\u00dcbersetzung Germain Droogenbroodt \u2013 Wolfgang Klinck<\/em><\/strong><\/p>\n

***<\/p>\n

\u03a0\u0391\u03a1\u0391\u039b\u0397\u03a1\u039f\u03a3<\/strong><\/p>\n

\n

\u039c\u03ad\u03c3\u03b1 \u03c3\u03c4\u03bf \u03c0\u03bf\u03af\u03b7\u03bc\u03b1 \u03b7 \u03bd\u03cd\u03c7\u03c4\u03b1 \u03ae\u03bc\u03b5\u03c1\u03bf \u03b8\u03b1 \u03bc\u03b5 `\u03b2\u03c1\u03b5\u03b9<\/p>\n

\u03ba\u03b1\u03b9 \u03bc\u03b5 \u03c4\u03bf\u03c5 \u03c0\u03bf\u03b9\u03b7\u03c4\u03ae \u03c4\u03b7\u03bd \u03c0\u03b1\u03c1\u03ac\u03c6\u03c1\u03bf\u03bd\u03b7 \u03bf\u03c1\u03b3\u03ae<\/p>\n

\u03c0\u03b1\u03c1\u03ac\u03bb\u03b7\u03c1\u03bf \u03b1\u03c0\u2019 \u03c4\u03b7 \u03bc\u03b1\u03bd\u03b9\u03ce\u03b4\u03b7 \u03bb\u03bf\u03b3\u03b9\u03ba\u03ae<\/p>\n

\u03c4\u03b7\u03bd \u03ac\u03c1\u03c1\u03c9\u03c3\u03c4\u03b7 \u03b3\u03b9\u03b1 \u03bd\u03b1 \u03b3\u03b9\u03b1\u03c4\u03c1\u03ad\u03c8\u03c9 \u03ba\u03bf\u03b9\u03bd\u03c9\u03bd\u03af\u03b1<\/p>\n

\u03c4\u03bf \u03bd\u03c5\u03c7\u03c4\u03bf\u03c0\u03bf\u03cd\u03bb\u03b9 \u03c4\u03bf\u03c5 \u03bd\u03bf\u03cd \u03bc\u03bf\u03c5 \u03b5\u03af\u03bd\u03b1\u03b9<\/p>\n

\u03bd\u03b1 \u03b3\u03c1\u03ac\u03c8\u03b5\u03b9 \u03cc\u03c4\u03b9 \u03c0\u03bf\u03c4\u03ad \u03c9\u03c2 \u03c4\u03ce\u03c1\u03b1 \u03b4\u03b5\u03bd \u03bc\u03bf\u03c5 \u03c3\u03c5\u03bd\u03ad\u03b2\u03b7<\/p>\n

\u03b3\u03b9\u03b3\u03ac\u03bd\u03c4\u03b9\u03b1 \u03b8\u03b7\u03c1\u03af\u03b1 \u03ba\u03b1\u03c4\u03b1\u03c3\u03c4\u03c1\u03bf\u03c6\u03b9\u03ba\u03ac \u03b2\u03b1\u03c1\u03b1\u03af\u03bd\u03bf\u03c5\u03bd \u03c3\u03c4\u03bf \u03bc\u03c5\u03b1\u03bb\u03cc \u03bc\u03bf\u03c5<\/p>\n

\u03b7 \u03b2\u03b5\u03b2\u03b1\u03b9\u03cc\u03c4\u03b7\u03c4\u03b1 \u03b4\u03b5\u03bd \u03b5\u03af\u03bd\u03b1\u03b9 \u03b1\u03c0\u03b1\u03c1\u03b1\u03af\u03c4\u03b7\u03c4\u03b7<\/p>\n

\u03ba\u03b1\u03b8\u03ce\u03c2 \u03ba\u03b9 \u03b7 \u03b1\u03b2\u03b5\u03b2\u03b1\u03b9\u03cc\u03c4\u03b7\u03c4\u03b1<\/p>\n

\u03b3\u03b9\u03b1 \u03c4\u03bf \u03c4\u03af \u03c4\u03c5\u03c7\u03cc\u03bd \u03b1\u03cd\u03c1\u03b9\u03bf \u03bd\u03b1 \u03c3\u03c5\u03bc\u03b2\u03b5\u03af<\/p>\n

\u039a\u03b1\u03b9 \u03c4\u03ce\u03c1\u03b1<\/p>\n

\u03bc\u03b9\u03b1 \u03bb\u03ad\u03be\u03b7 \u03b8\u03b1 \u03c6\u03c5\u03c4\u03ad\u03c8\u03c9:<\/p>\n

\u03c0\u03c1\u03ac\u03c3\u03b9\u03bd\u03bf \u03bf\u03be\u03c5\u03b3\u03cc\u03bd\u03bf<\/p>\n

FERNANDO<\/strong> ALONSO<\/strong>, Uruguay (1975)<\/p>\n

\u039c\u03b5\u03c4\u03ac\u03c6\u03c1\u03b1\u03c3\u03b7 \u039c\u03b1\u03bd\u03ce\u03bb\u03b7 \u0391\u03bb\u03c5\u03b3\u03b9\u03b6\u03ac\u03ba\u03b7<\/em><\/strong><\/p>\n

Translated<\/em><\/strong> into Greek <\/em><\/strong>by<\/em><\/strong> Manolis<\/em><\/strong> Aligizakis<\/em><\/strong><\/p>\n

\u00a0<\/em><\/strong><\/p>\n

***<\/p>\n

DELIRANTE<\/strong><\/p>\n

A noite encontrar-me-\u00e1 no meio de um poema
\nem sossego
\nmas com a f\u00faria do poeta
\ndelirante sobre todos os s\u00e3os
\nque querem curar uma sociedade doente<\/p>\n

Os p\u00e1ssaros nocturnos da minha mente
\nescrever\u00e3o o que ainda n\u00e3o me ocurreu<\/p>\n

os animais gigantes do esquecimento<\/p>\n

pesar\u00e3o sobre o meu c\u00e9rebro.<\/p>\n

A certeza j\u00e1 n\u00e3o ser\u00e1 necess\u00e1ria
\ne muito menos a incerteza
\nde saber
\no que acontecer\u00e1 amanh\u00e3.<\/p>\n

Agora
\nplanto
\numa palavra<\/p>\n

verde oxig\u00e9nio.<\/p>\n

FERNANDO ALONSO<\/strong>, Uruguai (1975)
\nTradu\u00e7\u00e3o portuguesa: Maria do<\/em><\/strong> Sameiro Barroso<\/em><\/strong><\/p>\n

\u00a0<\/em><\/strong><\/p>\n

***<\/p>\n

DELIRANT<\/strong><\/p>\n

Va da de mine noaptea la mijloc de poem.
\nVoi fi calm,
\ndar cu furie de poet str\u00e2ns\u0103 \u00een mine,
\ndelir\u00e2nd pe deasupra puterii ra\u021biunii,
\nc\u0103ut\u00e2nd leac pentru aceast\u0103 lume bolnav\u0103.<\/p>\n

P\u0103s\u0103ri din noaptea min\u021bii
\nvor scrie tot ce eu nu apuc s\u0103 prind cu g\u00e2ndul.<\/p>\n

Pe creier s\u0103-mi apese gigantica povar\u0103 a fiarelor uit\u0103rii.<\/p>\n

Oare am s\u0103 mai duc dorul vreunei certitudini,
\nsau m\u0103car lipsa vreunei \u00eendoieli,
\nn-o s\u0103 mai am nevoie s\u0103 aflu
\nce o s\u0103 fie cu ziua de m\u00e2ine?<\/p>\n

Acum
\nplantez
\no vorb\u0103<\/p>\n

de verde oxigen.<\/p>\n

FERNANDO ALONSO<\/strong>, Uruguay (1975)<\/p>\n

Traducere: Gabriela C\u0103lu\u021biu Sonnenberg<\/em><\/strong><\/p>\n

\n

***<\/p>\n

ME\u00d0 \u00d3R\u00c1\u00d0I<\/strong><\/p>\n

N\u00f3ttin kemur a\u00f0 m\u00e9r \u00ed mi\u00f0ju lj\u00f3\u00f0i
\nr\u00f3legum
\nen \u00ed sk\u00e1ldlegu \u00e6\u00f0i
\nme\u00f0 \u00f3r\u00e1\u00f0i yfir allri skynseminni
\neins og mig langi a\u00f0 l\u00e6kna sj\u00fakt samf\u00e9lag.<\/p>\n

N\u00e1ttfuglar hugans
\nmunu skrifa \u00fea\u00f0 sem m\u00e9r hefur ekki enn dotti\u00f0 \u00ed hug,<\/p>\n

risaskepnur \u00f3minnis vega \u00feungt \u00e1 heilanum.<\/p>\n

Vissa ver\u00f0ur \u00f3\u00fe\u00f6rf
\nhva\u00f0 \u00fe\u00e1 \u00f3vissa
\num hva\u00f0 g\u00e6ti gerst \u00e1 morgun?<\/p>\n

N\u00fana
\ngr\u00f3urset
\n\u00e9g or\u00f0<\/p>\n

gr\u00e6nt s\u00farefni.<\/p>\n

FERNANDO ALONSO<\/strong>, \u00dar\u00fagv\u00e6 (1975)<\/p>\n

\u00de\u00f3r Stef\u00e1nsson \u00fe\u00fdddi eftir enskri \u00fe\u00fd\u00f0ingu Germains Droogenbroodt og Stanleys Barkan
\n<\/em><\/strong>Translated into Icelandic by Thor Stefansson<\/em><\/strong><\/p>\n

***<\/p>\n

N\u00cb KLLAPI<\/strong><\/p>\n

Nata do t\u2019m\u00eb gjej\u00eb me vargjet e nj\u00eb poezie
\nt\u00eb qet\u00eb
\npor me zem\u00ebrimin e poetit
\nn\u00eb kllapin\u00eb e mendjes s\u00eb sh\u00ebndosh\u00eb
\nnj\u00eb shoq\u00ebri t\u00eb s\u00ebmur\u00eb do q\u00eb t\u00eb sh\u00ebroj\u00eb.<\/p>\n

Zogjt\u00eb e nat\u00ebs do t\u00eb shkruajn\u00eb
\n\u00e7\u2019ka ende s\u2019m\u00eb ka ardhur n\u00eb mendje,<\/p>\n

n\u00eb tru do t\u2019m\u00eb r\u00ebndojn\u00eb bishat gjigante t\u00eb harres\u00ebs.<\/p>\n

Siguria nuk do t\u00eb jet\u00eb e nevojshme
\nl\u00ebre pastaj dyshimi
\np\u00ebr t\u00eb ditur n\u00ebse
\ndo t\u00eb ndodh\u00eb nes\u00ebr s\u00ebrish?<\/p>\n

Tani p\u00ebr tani
\nun\u00eb mbjell
\nnj\u00eb fjal\u00eb<\/p>\n

oksigjen jeshil.<\/p>\n

FERNANDO ALONSO<\/strong>, Uruguai (1975)<\/p>\n

Translation into Albanian by Irma Kurti<\/em><\/strong><\/p>\n

P\u00ebrktheu n\u00eb shqip: Irma Kurti<\/em><\/strong><\/p>\n

\n

***<\/p>\n

\u0627\u0644\u0647\u064a\u062c\u0627\u0646<\/strong><\/p>\n

\u0641\u064a \u0627\u0644\u0644\u064a\u0644 \u0633\u062a\u062c\u062f\u0646\u064a \u0641\u064a \u0648\u0633\u0637 \u0642\u0635\u064a\u062f\u0629 \u0647\u0627\u062f\u0626\u0629<\/p>\n

\u0644\u0643\u0646 \u0645\u0639 \u063a\u0636\u0628 \u0627\u0644\u0634\u0627\u0639\u0631<\/p>\n

\u0627\u0644\u0647\u064a\u062c\u0627\u0646 \u064a\u0637\u063a\u0649 \u0639\u0644\u0649 \u0627\u0644\u0645\u0639\u0642\u0648\u0644<\/p>\n

\u0643\u0645\u062b\u0644 \u0627\u0644\u0631\u063a\u0628\u0629 \u0641\u064a \u0634\u0641\u0627\u0621 \u0645\u062c\u062a\u0645\u0639 \u0645\u0631\u064a\u0636<\/p>\n

\u0637\u064a\u0648\u0631 \u0627\u0644\u0644\u064a\u0644 \u0641\u064a \u0630\u0647\u0646\u064a<\/p>\n

\u0633\u0648\u0641 \u062a\u0643\u062a\u0628 \u0645\u0627 \u0627\u0644\u0630\u064a \u0644\u0645 \u064a\u062d\u062f\u062b \u0645\u0639\u064a \u0628\u0639\u062f<\/p>\n

\u0648\u0648\u062d\u0648\u0634 \u0627\u0644\u0646\u0633\u064a\u0627\u0646 \u064a\u062b\u0642\u0644\u0648\u0646 \u0639\u0644\u0649 \u0643\u0627\u0647\u0644\u064a<\/p>\n

\u0644\u0646 \u064a\u0643\u0648\u0646 \u0627\u0644\u064a\u0642\u064a\u0646 \u0636\u0631\u0648\u0631\u064a\u0627 \u0628\u0639\u062f \u0627\u0644\u0622\u0646<\/p>\n

\u0648\u0623\u0642\u0644 \u0628\u0643\u062b\u064a\u0631 \u0645\u0646 \u0639\u062f\u0645 \u0627\u0644\u064a\u0642\u064a\u0646<\/p>\n

\u0644\u062a\u0639\u0631\u0641<\/p>\n

\u0645\u0627\u0630\u0627 \u0633\u064a\u062d\u062f\u062b \u063a\u062f\u0627\u061f<\/p>\n

\u0627\u0644\u0622\u0646 \u0640\u0640\u0640\u0640\u0640\u0640\u0640\u0640<\/p>\n

\u00a0\u0632\u0631\u0639\u062a \u0643\u0644\u0645\u0629 \u0640\u0640\u0640\u0640\u0640\u0640\u0640\u0640 :<\/p>\n

\u0623\u0643\u0633\u062c\u064a\u0646 \u0623\u062e\u0636\u0631<\/p>\n

\u0641\u0631\u0646\u0627\u0646\u062f\u0648 \u0623\u0644\u0648\u0646\u0633\u0648 (FERNANDO ALONSO<\/strong>)\u060c \u0627\u0644\u0623\u0648\u0631\u063a\u0648\u0627\u064a 1975<\/p>\n

\u062a\u0631\u062c\u0645\u0629 \u0644\u0644\u0639\u0631\u0628\u064a\u0629 (\u0645\u0646 \u0627\u0644\u0623\u0646\u062c\u0644\u064a\u0632\u064a\u0629 \u0648\u0627\u0644\u0625\u0633\u0628\u0627\u0646\u064a\u0629): \u0639\u0628\u062f \u0627\u0644\u0642\u0627\u062f\u0631 \u0643\u0634\u064a\u062f\u0629<\/p>\n

Translated into Arab by Mesaoud Abdelkader<\/em><\/strong><\/p>\n

\u00a0<\/em><\/strong><\/p>\n

***<\/p>\n

\u0536\u0531\u054c\u0531\u0546\u0551\u0531\u0546\u0554<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

\u0533\u056b\u0577\u0565\u0580\u0568 \u056f\u0563\u057f\u0576\u056b \u056b\u0576\u0571 \u0562\u0561\u0576\u0561\u057d\u057f\u0565\u0572\u056e\u0578\u0582\u0569\u0575\u0561\u0576 \u0574\u0565\u057b\u057f\u0565\u0572\u0578\u0582\u0574<\/p>\n

\u0570\u0561\u0576\u0564\u0561\u0580\u057f<\/p>\n

\u0562\u0561\u0575\u0581 \u0574\u0578\u056c\u0565\u0563\u0576\u0561\u056e \u0562\u0561\u0576\u0561\u057d\u057f\u0565\u0572\u056e\u056b\u00a0 \u0566\u0561\u0575\u0580\u0578\u0582\u0575\u0569\u0578\u057e,<\/p>\n

\u0578\u057e \u0566\u0561\u057c\u0561\u0576\u0581\u0578\u0582\u0574 \u0567 \u0562\u0578\u056c\u0578\u0580 \u0578\u0572\u057b\u0561\u0574\u056b\u057f\u0576\u0565\u0580\u056b \u057e\u0580\u0561<\/p>\n

\u0561\u057d\u0565\u057d \u056f\u0578\u0582\u0566\u0565\u0580 \u0562\u0578\u0582\u056a\u0565\u056c \u0570\u056b\u057e\u0561\u0576\u0564 \u0570\u0561\u057d\u0561\u0580\u0561\u056f\u0578\u0582\u0569\u0575\u0561\u0576\u0568:<\/p>\n

\u0544\u057f\u0584\u056b\u057d \u0563\u056b\u0577\u0565\u0580\u0561\u0575\u056b\u0576 \u0569\u057c\u0579\u0578\u0582\u0576\u0576\u0565\u0580\u0568<\/p>\n

\u056f\u0563\u0580\u0565\u0576 \u0561\u0575\u0576, \u056b\u0576\u0579 \u0564\u0565\u057c \u0574\u057f\u0584\u0578\u057e\u057d \u0579\u056b \u0561\u0576\u0581\u0565\u056c,<\/p>\n

\u0574\u0578\u057c\u0561\u0581\u0578\u0582\u0569\u0575\u0561\u0576 \u0570\u057d\u056f\u0561 \u0563\u0561\u0566\u0561\u0576\u0576\u0565\u0580\u0568<\/p>\n

\u056f\u056e\u0561\u0576\u0580\u0561\u0576\u0561\u0576 \u0578\u0582\u0572\u0565\u0572\u056b\u057d \u057e\u0580\u0561:<\/p>\n

\u0548\u0580\u0578\u0577\u0561\u056f\u056b\u0578\u0582\u0569\u0575\u0578\u0582\u0576\u0576 \u0561\u0576\u0570\u0580\u0561\u056a\u0565\u0577\u057f \u0579\u056b \u056c\u056b\u0576\u056b<\/p>\n

\u0569\u0578\u0572\u0576\u0565\u0576\u0584 \u0561\u0576\u0578\u0580\u0578\u0577\u0578\u0582\u0569\u0575\u0578\u0582\u0576\u0568\u0559\u0559<\/p>\n

\u0569\u0565 \u056b\u0576\u0579\u00a0 \u056f\u056c\u056b\u0576\u056b \u057e\u0561\u0572\u0568:<\/p>\n

\u0540\u056b\u0574\u0561 \u0565\u057d<\/p>\n

\u0562\u0561\u057c \u0565\u0574<\/p>\n

\u057f\u0576\u056f\u0578\u0582\u0574<\/p>\n

\u056f\u0561\u0576\u0561\u0579 \u0569\u0569\u057e\u0561\u056e\u056b\u0576:<\/p>\n

\u0556\u0565\u0580\u0576\u0561\u0576\u0564\u0578 \u0531\u056c\u0578\u0576\u057d\u0578<\/strong>, \u0548\u0582\u0580\u0578\u0582\u0563\u057e\u0561\u0575, 1975<\/p>\n

\u0539\u0561\u0580\u0563\u0574\u0561\u0576\u0578\u0582\u0569\u0575\u0578\u0582\u0576\u0568 \u0533\u0565\u0580\u0574\u0561\u0576 \u0534\u0580\u0578\u0563\u0565\u0562\u0580\u0578\u0564\u057f\u056b \u0587 \u054d\u0569\u0565\u0575\u0576\u056c\u056b \u0532\u0561\u0580\u0584\u0561\u0576\u056b<\/em><\/strong><\/p>\n

\u0540\u0561\u0575\u0565\u0580\u0565\u0576 \u0569\u0561\u0580\u0563\u0574.-\u0568 \u0531\u0580\u0574\u0565\u0576\u0578\u0582\u0570\u056b \u054d\u056b\u057d\u0575\u0561\u0576\u056b<\/em><\/strong><\/p>\n

Translated into Armenian by Armenuhi Sisyan.<\/em><\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

***<\/em><\/p>\n

\u00a0<\/em><\/p>\n

\u0989\u09a8\u09cd\u09ae\u09c1\u0995\u09cd\u09a4\u09a4\u09be<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

\u09b0\u09be\u09a4\u09cd\u09b0\u09bf \u0986\u09ae\u09be\u09af\u09bc \u0996\u09c1\u0981\u099c\u09c7 \u0995\u09ac\u09bf\u09a4\u09be\u09b0 \u09ae\u09be\u099d\u09be\u09b0\u09c7<\/p>\n

\u09b6\u09be\u09a8\u09cd\u09a4<\/p>\n

\u0995\u09bf\u09a8\u09cd\u09a4\u09c1 \u09b8\u09be\u09a5\u09c7 \u09a5\u09be\u0995\u09ac\u09c7 \u0995\u09ac\u09bf\u09b0 \u09aa\u09cd\u09b0\u09ae\u09a4\u09cd\u09a4\u09a4\u09be<\/p>\n

\u0989\u09a8\u09cd\u09ae\u09c1\u0995\u09cd\u09a4 \u09b8\u09cd\u09a5\u09bf\u09b0 \u09ae\u09b8\u09cd\u09a4\u09bf\u09b7\u09cd\u0995 \u09b8\u0995\u09b2\u09c7\u09b0 \u0989\u09aa\u09b0<\/p>\n

\u09a0\u09bf\u0995 \u09af\u09c7\u09a8 \u099a\u09be\u09af\u09bc \u0995\u09b0\u09a4\u09c7 \u09b8\u09c1\u09b8\u09cd\u09a5 \u098f\u0995\u099f\u09bf \u0985\u09b8\u09c1\u09b8\u09cd\u09a5 \u09b8\u09ae\u09be\u099c\u0995\u09c7\u0964<\/p>\n

\u0986\u09ae\u09be\u09b0 \u09ae\u09a8\u09c7\u09b0 \u09b0\u09be\u09a4\u09c7\u09b0 \u09aa\u09be\u0996\u09bf\u09b0\u09be \u09b0\u099a\u09a8\u09be \u0995\u09b0\u09ac\u09c7<\/p>\n

\u09b8\u09c7\u0987 \u09b8\u09ac \u0995\u09a5\u09be \u09af\u09be \u098f\u0996\u09a8\u09cb \u09ae\u09a8\u09c7 \u0986\u09b8\u09c7\u09a8\u09bf \u0986\u09ae\u09be\u09b0,<\/p>\n

\u09a6\u09be\u09a8\u09ac\u09c0\u09af\u09bc \u09aa\u09b6\u09c1\u09a6\u09c7\u09b0 \u09ac\u09bf\u09b8\u09cd\u09ae\u09c3\u09a4\u09bf \u0995\u09b0\u09ac\u09c7 \u0986\u09ae\u09be\u09b0 \u09ae\u09b8\u09cd\u09a4\u09bf\u09b7\u09cd\u0995\u0995\u09c7 \u09ad\u09be\u09b0\u09bf\u0964<\/p>\n

\u09a8\u09bf\u09b6\u09cd\u099a\u09af\u09bc\u09a4\u09be\u09b0 \u0986\u09b0 \u09b9\u09ac\u09c7\u09a8\u09be \u09aa\u09cd\u09b0\u09af\u09bc\u09cb\u099c\u09a8<\/p>\n

\u0986\u099b\u09c7 \u0995\u09bf \u099c\u09be\u09a8\u09be\u09b0 \u09a6\u09b0\u0995\u09be\u09b0<\/p>\n

\u0986\u0997\u09be\u09ae\u09c0 \u09a6\u09bf\u09a8\u09c7\u09b0 \u0985\u09a8\u09bf\u09b6\u09cd\u099a\u09af\u09bc\u09a4\u09be<\/p>\n

\u0995\u09bf \u0998\u099f\u09ac\u09c7 \u0986\u0997\u09be\u09ae\u09c0\u0995\u09be\u09b2?<\/p>\n

\u098f\u0996\u09a8<\/p>\n

\u0986\u09ae\u09bf \u09b0\u09cb\u09aa\u09a8 \u0995\u09b0\u09bf<\/p>\n

\u098f\u0995\u099f\u09bf \u09b6\u09ac\u09cd\u09a6<\/p>\n

\u09b8\u09ac\u09c1\u099c \u0985\u0995\u09cd\u09b8\u09bf\u099c\u09c7\u09a8\u0964<\/p>\n

\u09ab\u09be\u09b0\u09cd\u09a8\u09be\u09a8\u09cd\u09a6\u09cb<\/strong> \u0986\u09b2\u09cb\u09a8\u09b8\u09cb<\/strong>, <\/strong>\u0989\u09b0\u09c1\u0997\u09c1\u09af\u09bc\u09c7 (1975)<\/p>\n

Bangla Translation: Tabassum Tahmina Shagufta Hussein <\/em><\/strong><\/p>\n

\u00a0<\/em><\/p>\n

***<\/em><\/p>\n

D<\/strong>ELIRIOUS<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

no\u0107 \u0107e me na\u0107i usred pjesme<\/p>\n

smiren<\/p>\n

ali sa bijesom pjesnika<\/p>\n

u deliriju od svih zdravih<\/p>\n

poput \u017eelje da izlije\u010dimo bolesno dru\u0161tvo.<\/p>\n

no\u0107ne ptice mog uma<\/p>\n

pisa\u0107u \u0161ta mi jo\u0161 nije palo na pamet,<\/p>\n

gigantske zvijeri zaborava optere\u0107ivat \u0107e moj mozak.<\/p>\n

sigurnost ne\u0107e biti potrebna<\/p>\n

a kamoli neizvjesnost<\/p>\n

saznanja<\/p>\n

mo\u017ee se desiti sutra?<\/p>\n

sad<\/p>\n

sadim<\/p>\n

rije\u010d<\/p>\n

zeleni.<\/p>\n

FERNANDO ALONSO<\/strong>, URUGVAJ (1975.)<\/p>\n

prijevod Germain Droogenbroodt \u2013 Maid Co<\/em><\/strong>d<\/em><\/strong>bic<\/em><\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

***<\/p>\n

DELIRANT<\/strong><\/p>\n

Em trobar\u00e0 la nit enmig d’un poema
\nen calma<\/p>\n

per\u00f2 amb la f\u00faria del poeta<\/p>\n

delirant sobre tots els entenimentats<\/p>\n

com voler guarir una societat malalta<\/p>\n

Els ocells nocturns de la meva ment<\/p>\n

escriuran el que encara no se m’ha acudit<\/p>\n

pesaran sobre el meu cervell gegants animals de l’oblit.<\/p>\n

Ja no caldr\u00e0 la certesa<\/p>\n

i molt menys la incertesa<\/p>\n

de saber<\/p>\n

qu\u00e8 passar\u00e0 dem\u00e0<\/p>\n

Ara<\/p>\n

planto<\/p>\n

una paraula<\/p>\n

verd oxigen.<\/p>\n

FERNANDO ALONSO<\/strong>, Uruguai (1975)
\nTraducci\u00f3 al catal\u00e0: Natalia Fern\u00e1ndez D\u00edaz-Cabal<\/em><\/strong><\/p>\n

***<\/em><\/p>\n

\u7cbe\u795e<\/strong>\u9519\u4e71\u7684<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

\u9ed1\u591c\u4f1a\u53d1\u73b0\u6211\u5728\u4e00\u9996\u8bd7\u4e2d<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0 \u662f\u5e73\u9759\u7684<\/p>\n

\u4f46\u968f\u7740\u8bd7\u4eba\u7684\u6124\u6012<\/p>\n

\u7cbe\u795e\u9519\u4e71\u904d\u53ca\u7406\u667a<\/p>\n

\u50cf\u8981\u6cbb\u6108\u4e00\u4e2a\u75c5\u6001\u7684\u793e\u4f1a\u3002<\/p>\n

\u6211\u5fc3\u4e2d\u7684\u591c\u9e1f<\/p>\n

\u4f1a\u8bb0\u4e0b\u5bf9\u6211\u6765\u8bf4\u8fd8\u6ca1\u53d1\u751f\u7684\u4e8b\uff0c<\/p>\n

\u660f\u7761\u7684\u5de8\u517d\u5c06\u91cd\u538b\u6211\u7684\u5927\u8111\u3002<\/p>\n

\u4e0d\u9700\u8981\u6709\u628a\u63e1<\/p>\n

\u522b\u8bf4\u77e5\u60c5\u7684\u4e0d\u786e\u5b9a\u6027\u4e86<\/p>\n

\u660e\u5929\u53ef\u80fd\u53d1\u751f\u5417\uff1f<\/p>\n

\u73b0\u5728<\/p>\n

\u6211\u683d\u79cd<\/p>\n

\u4e00\u53e5\u8bdd<\/p>\n

\u7eff\u8272\u6c27\u6c14\u3002<\/p>\n

\u539f\u4f5c\uff1a\u4e4c\u62c9\u572d\u00a0 \u8d39\u5c14\u5357\u591a\u00b7\u963f\u9686\u7d22\uff081975\u5e74\uff09<\/p>\n

\u82f1\u8bd1\uff1a\u6770\u66fc\u00b7\u5353\u6839\u5e03\u9c81\u7279-\u65af\u5766\u5229\u00b7\u5df4\u574e<\/p>\n

\u6c49\u8bd1\uff1a\u4e2d\u00a0\u00a0\u00a0\u00a0 \u56fd\u00a0\u00a0 \u5468\u9053\u6a21\u00a0 2022-5-16<\/p>\n

Translated into Chinese by Willam Zhou<\/em><\/strong><\/p>\n

\u00a0<\/em><\/p>\n

***<\/em><\/p>\n

\u00a0<\/strong><\/p>\n

\u0647\u0630\u06cc\u0627\u0646<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

\u0634\u0628\u00a0\u0645\u0631\u0627\u00a0\u062f\u0631\u00a0\u0645\u06cc\u0627\u0646\u00a0\u0634\u0639\u0631\u00a0\u0622\u0631\u0627\u0645\u00a0\u067e\u06cc\u062f\u0627\u00a0\u0645\u06cc\u200c\u06a9\u0646\u062f<\/p>\n

\u0627\u0645\u0627\u00a0\u0628\u0627\u00a0\u062e\u0634\u0645\u00a0\u0634\u0627\u0639\u0631<\/p>\n

\u0648\u00a0\u062f\u0631\u00a0\u0639\u06cc\u0646\u00a0\u062d\u0627\u0644\u00a0\u062f\u0631\u00a0\u0647\u0630\u06cc\u0627\u0646<\/p>\n

\u06a9\u0647\u00a0\u0645\u06cc\u200c\u062e\u0648\u0627\u0647\u062f\u00a0\u06cc\u06a9\u00a0\u062c\u0627\u0645\u0639\u0647\u200c\u06cc\u00a0\u0628\u06cc\u0645\u0627\u0631\u00a0\u0631\u0627\u00a0\u0634\u0641\u0627\u00a0\u062f\u0647\u062f.<\/p>\n

\u067e\u0631\u0646\u062f\u06af\u0627\u0646\u00a0\u0641\u06a9\u0631\u00a0\u0645\u0646<\/p>\n

\u0622\u0646\u0686\u0647\u00a0\u0631\u0627\u00a0\u06a9\u0647\u00a0\u0647\u0646\u0648\u0632\u00a0\u0628\u0647\u00a0\u0630\u0647\u0646\u0645\u00a0\u0646\u06cc\u0627\u0645\u062f\u0647\u00a0\u0631\u0627\u00a0\u0645\u06cc\u200c\u0646\u0648\u06cc\u0633\u0646\u062f<\/p>\n

\u0634\u06cc\u0627\u0637\u06cc\u0646\u00a0\u063a\u0648\u0644\u200c\u067e\u06cc\u06a9\u0631\u00a0\u0641\u0631\u0627\u0645\u0648\u0634\u06cc\u00a0\u0628\u0631\u00a0\u0645\u063a\u0632\u0645\u00a0\u0633\u0646\u06af\u06cc\u0646\u06cc\u00a0\u0645\u06cc\u200c\u06a9\u0646\u0646\u062f<\/p>\n

\u0627\u0637\u0645\u06cc\u0646\u0627\u0646\u00a0\u0644\u0627\u0632\u0645\u00a0\u0646\u06cc\u0633\u062a<\/p>\n

\u0686\u0647\u00a0\u0631\u0633\u062f\u00a0\u0628\u0647\u00a0\u0639\u062f\u0645\u00a0\u0627\u0637\u0645\u06cc\u0646\u0627\u0646 \u0627\u0632\u00a0\u062f\u0627\u0646\u0633\u062a\u0646<\/p>\n

\u0622\u0646\u0686\u0647\u00a0\u0641\u0631\u062f\u0627\u00a0\u0627\u062a\u0641\u0627\u0642\u00a0\u0645\u06cc\u200c\u0627\u0641\u062a\u062f\u061f<\/p>\n

\u062d\u0627\u0644\u0627 \u0645\u06cc\u200c\u06a9\u0627\u0631\u0645<\/p>\n

\u06a9\u0644\u0645\u0647\u200c\u06cc\u06cc<\/p>\n

\u0627\u06a9\u0633\u06cc\u0698\u0646\u00a0\u0633\u0628\u0632.<\/p>\n

\u0641\u0631\u0646\u0627\u0646\u062f\u0648\u00a0\u0627\u0644\u0648\u0646\u0633\u0627<\/strong>\u060c\u00a0\u0627\u0631\u0648\u06af\u0648\u0626\u0647\u060c\u00a0\u06f1\u06f9\u06f7\u06f5<\/p>\n

\u062a\u0631\u062c\u0645\u0647 \u0627\u0632 \u0633\u067e\u06cc\u062f\u0647 \u0632\u0645\u0627\u0646e<\/strong><\/p>\n

Translated into Farsi by Sep<\/em><\/strong>i<\/em><\/strong>d<\/em><\/strong>e<\/em><\/strong>h Zamani<\/em><\/strong><\/p>\n

***<\/p>\n

\u0a85\u0aa4\u0abf<\/strong> \u0a89\u0aa8\u0acd\u0aae\u0abe\u0aa6<\/strong><\/p>\n


\n<\/strong>\u0ab0\u0abe\u0aa4\u0acd\u0ab0\u0abf \u0aae\u0aa8\u0ac7 \u0ab6\u0acb\u0aa7\u0ab6\u0ac7 \u0a95\u0ab5\u0abf\u0aa4\u0abe\u0aa8\u0ac0 \u0aae\u0aa7\u0acd\u0aaf\u0aae\u0abe\u0a82<\/p>\n

\u0ab6\u0abe\u0a82\u0aa4\u0abf<\/p>\n

\u0aaa\u0ab0\u0a82\u0aa4\u0ac1 \u0a95\u0ab5\u0abf\u0aa8\u0abe \u0aaa\u0acd\u0ab0\u0a95\u0acb\u0aaa \u0ab8\u0abe\u0aa5\u0ac7<\/p>\n

\u0aa1\u0ab9\u0abe\u0aaa\u0aa3 \u0a89\u0aaa\u0ab0 \u0ab8\u0aae\u0a97\u0acd\u0ab0 \u0a85\u0aa4\u0abf\u0a89\u0aa8\u0acd\u0aae\u0abe\u0aa6<\/p>\n

\u0a9c\u0abe\u0aa3\u0ac7 \u0aac\u0ac0\u0aae\u0abe\u0ab0 \u0ab8\u0aae\u0abe\u0a9c\u0aa8\u0ac7 \u0ab8\u0abe\u0a9c\u0ac0 \u0a95\u0ab0\u0ab5\u0abe.<\/p>\n

\u0aae\u0abe\u0ab0\u0abe \u0aae\u0a97\u0a9c\u0aa8\u0abe \u0ab0\u0abe\u0aa4\u0acd\u0ab0\u0abf \u0aaa\u0a95\u0acd\u0ab7\u0ac0\u0a93\u0aa8\u0ac0 \u0a9c\u0ac7\u0aae<\/p>\n

\u00a0\u0ab2\u0a96\u0ac0 \u0ab0\u0ab9\u0acd\u0aaf\u0abe\u0a82 \u0a9b\u0ac7 \u0a95\u0ac7 \u0a9c\u0ac7 \u0ab9\u0a9c\u0ac1 \u0aae\u0abe\u0ab0\u0ac0 \u0a9c\u0acb\u0aa1\u0ac7 \u0aac\u0aa8\u0acd\u0aaf\u0ac1\u0a82 \u0aa8\u0aa5\u0ac0,<\/p>\n

\u0ab5\u0abf\u0ab8\u0acd\u0aae\u0ac3\u0aa4\u0abf\u0aa8\u0abe \u0a96\u0ac2\u0aac \u0a9c \u0aae\u0acb\u0a9f\u0abe \u0ab0\u0abe\u0a95\u0acd\u0ab7\u0ab8 \u0aae\u0abe\u0ab0\u0abe \u0aae\u0ab8\u0acd\u0aa4\u0abf\u0ab7\u0acd\u0a95 \u0aaa\u0ab0 \u0aa4\u0acb\u0ab3\u0abe\u0a88 \u0ab0\u0ab9\u0acd\u0aaf\u0abe \u0a9b\u0ac7.<\/p>\n

\u0a96\u0abe\u0aa4\u0ab0\u0ac0 \u0a9c\u0ab0\u0ac2\u0ab0\u0ac0 \u0aa8\u0aa5\u0ac0<\/p>\n

\u0a95\u0abe\u0ab2\u0ac7 \u0ab6\u0ac1\u0a82 \u0aa5\u0ab5\u0abe\u0aa8\u0ac1\u0a82 \u0a9b\u0ac7 \u0aa4\u0ac7<\/p>\n

\u0a85\u0aa8\u0abf\u0ab6\u0acd\u0a9a\u0abf\u0aa4\u0aa4\u0abe\u0aa8\u0ac7 \u0a8f\u0a95\u0ab2\u0abe \u0a9c \u0ab0\u0ab9\u0ac7\u0ab5\u0abe \u0aa6\u0a88\u0a8f?<\/p>\n

\u0ab9\u0ab5\u0ac7<\/p>\n

\u0aae\u0ac7\u0a82 \u0ab6\u0aac\u0acd\u0aa6\u0abe\u0ab0\u0acb\u0ab9\u0aa3<\/p>\n

\u0a95\u0ab0\u0acd\u0aaf\u0ac1\u0a82 \u0a9b\u0ac7<\/p>\n

\u0ab2\u0ac0\u0ab2\u0acb \u0aaa\u0acd\u0ab0\u0abe\u0aa3\u0ab5\u0abe\u0aaf\u0ac1.<\/p>\n

Translated into Gujarati by \u00a0Nirali Soni<\/em><\/strong><\/p>\n

***<\/p>\n

\u05e0\u05e8\u05d2\u05e9 \/ \u05e4\u05e8\u05e0\u05e0\u05d3\u05d5 \u05d0\u05dc\u05d5\u05e0\u05e1\u05d5, \u05d0\u05d5\u05e8\u05d5\u05d2\u05d5\u05d0\u05d9 \u05e0’ 1975<\/strong><\/p>\n

\u05d4\u05b7\u05dc\u05bc\u05b7\u05d9\u05b0\u05dc\u05b8\u05d4 \u05d9\u05b4\u05de\u05b0\u05e6\u05b8\u05d0 \u05d0\u05d5\u05b9\u05ea\u05b4\u05d9 \u05d1\u05bc\u05b0\u05e2\u05b4\u05e6\u05bc\u05d5\u05bc\u05de\u05d5\u05b9 \u05e9\u05c1\u05b6\u05dc \u05e9\u05c1\u05b4\u05d9\u05e8<\/p>\n

\u05e9\u05c1\u05b8\u05dc\u05b5\u05d5<\/p>\n

\u05d0\u05b2\u05d1\u05b8\u05dc \u05e2\u05b4\u05dd \u05d6\u05b7\u05e2\u05b7\u05dd \u05d4\u05b7\u05de\u05bc\u05b0\u05e9\u05c1\u05d5\u05b9\u05e8\u05b5\u05e8<\/p>\n

\u05e0\u05b4\u05e8\u05b0\u05d2\u05bc\u05b8\u05e9\u05c1 \u05de\u05b5\u05e2\u05b7\u05dc \u05db\u05bc\u05b8\u05dc \u05d4\u05b7\u05e9\u05bc\u05c1\u05b0\u05e4\u05d5\u05bc\u05d9\u05b4\u05d9\u05dd<\/p>\n

\u05db\u05bc\u05b0\u05de\u05d5\u05b9 \u05e8\u05d5\u05b9\u05e6\u05b6\u05d4 \u05dc\u05b0\u05e8\u05b7\u05e4\u05bc\u05b5\u05d0 \u05d7\u05b6\u05d1\u05b0\u05e8\u05b8\u05d4 \u05d7\u05d5\u05b9\u05dc\u05b8\u05d4.<\/p>\n

\u05e6\u05b4\u05e4\u05bc\u05d5\u05b9\u05e8\u05b5\u05d9 \u05d4\u05b7\u05dc\u05bc\u05b7\u05d9\u05b0\u05dc\u05b8\u05d4 \u05e9\u05c1\u05b6\u05dc \u05de\u05b9\u05d7\u05b4\u05d9<\/p>\n

\u05d9\u05b4\u05db\u05b0\u05ea\u05bc\u05b0\u05d1\u05d5\u05bc \u05d0\u05b6\u05ea \u05de\u05b8\u05d4 \u05e9\u05c1\u05b6\u05e2\u05b2\u05d3\u05b7\u05d9\u05b4\u05df \u05dc\u05b9\u05d0 \u05e2\u05b8\u05dc\u05b8\u05d4 \u05d1\u05bc\u05b0\u05d3\u05b7\u05e2\u05b0\u05ea\u05bc\u05b4\u05d9,<\/p>\n

\u05d7\u05b7\u05d9\u05bc\u05d5\u05b9\u05ea \u05e2\u05b2\u05e0\u05b8\u05e7 \u05e9\u05c1\u05b6\u05dc \u05e9\u05c1\u05b4\u05db\u05b0\u05d7\u05b8\u05d4 \u05d9\u05b7\u05db\u05b0\u05d1\u05bc\u05b4\u05d9\u05d3\u05d5\u05bc \u05e2\u05b7\u05dc \u05de\u05b9\u05d7\u05b4\u05d9.<\/p>\n

\u05d5\u05b7\u05d3\u05bc\u05b8\u05d0\u05d5\u05bc\u05ea \u05dc\u05b9\u05d0 \u05ea\u05bc\u05b4\u05d4\u05b0\u05d9\u05b6\u05d4 \u05e0\u05b0\u05d7\u05d5\u05bc\u05e6\u05b8\u05d4<\/p>\n

\u05e9\u05c1\u05b6\u05dc\u05bc\u05b9\u05d0 \u05dc\u05d5\u05b9\u05de\u05b7\u05e8 \u05d0\u05b4\u05d9 \u05d4\u05b7\u05d5\u05bc\u05b7\u05d3\u05bc\u05b8\u05d0\u05d5\u05bc\u05ea<\/p>\n

\u05e9\u05c1\u05b6\u05dc \u05d4\u05b7\u05d9\u05bc\u05b0\u05d3\u05b4\u05d9\u05e2\u05b8\u05d4<\/p>\n

\u05de\u05b8\u05d4 \u05d9\u05b4\u05e7\u05b0\u05e8\u05b6\u05d4 \u05de\u05b8\u05d7\u05b8\u05e8<\/p>\n

\u05e2\u05b7\u05db\u05b0\u05e9\u05c1\u05b8\u05d5<\/p>\n

\u05d0\u05b2\u05e0\u05b4\u05d9 \u05e0\u05d5\u05b9\u05d8\u05b5\u05e2\u05b7<\/p>\n

\u05de\u05b4\u05dc\u05bc\u05b8\u05d4<\/p>\n

\u05d7\u05b7\u05de\u05b0\u05e6\u05b8\u05df \u05d9\u05b8\u05e8\u05b9\u05e7.<\/p>\n

\u00a0<\/strong><\/p>\n

\u05ea\u05e8\u05d2\u05d5\u05dd \u05dc\u05d0\u05e0\u05d2\u05dc\u05d9\u05ea: \u05d2’\u05e8\u05de\u05d9\u05d9\u05df \u05d3\u05e8\u05d5\u05d2\u05e0\u05d1\u05e8\u05d5\u05d3\u05d8 \u05d5\u05e1\u05d8\u05e0\u05dc\u05d9 \u05d1\u05e8\u05e7\u05df<\/strong><\/p>\n

\u05d4\u05e6\u05d9\u05d5\u05e8 \u05e9\u05dc \u05d2’\u05d5\u05df \u05d4\u05e7\u05d9\u05e0\u05d2 <\/strong><\/p>\n

John Hacking, Netherlands<\/strong><\/p>\n

\u05dc\u05e2\u05d1\u05e8\u05d9\u05ea: \u05d3\u05d5\u05e8\u05d9\u05ea \u05d5\u05d9\u05e1\u05de\u05df<\/strong><\/p>\n

Translated<\/em><\/strong> into<\/em><\/strong> Hebrew<\/em><\/strong> by<\/em><\/strong> Dorit<\/em><\/strong> Weisman<\/em><\/strong><\/p>\n

***<\/p>\n

\u091a\u0948\u0924\u0928\u094d\u092f\u0930\u0939\u093f\u0924<\/strong><\/p>\n

\u00a0<\/em><\/p>\n

\u0930\u093e\u0924 \u092e\u0941\u091d\u0947 \u090f\u0915 \u0915\u0935\u093f\u0924\u093e \u0915\u0947 \u092c\u0940\u091a \u092e\u093f\u0932 \u091c\u093e\u090f\u0917\u0940<\/p>\n

\u0936\u093e\u0902\u0924<\/p>\n

\u0932\u0947\u0915\u093f\u0928 \u0915\u0935\u093f \u0915\u0947 \u0915\u094d\u0930\u094b\u0927 \u0938\u0947<\/p>\n

\u0938\u092d\u0940 \u0938\u092e\u091d\u0926\u093e\u0930\u094b\u0902 \u092a\u0930 \u092a\u094d\u0930\u0932\u093e\u092a<\/p>\n

\u091c\u0948\u0938\u0947 \u092c\u0940\u092e\u093e\u0930 \u0938\u092e\u093e\u091c \u0915\u094b \u0920\u0940\u0915 \u0915\u0930\u0928\u093e \u091a\u093e\u0939\u0924\u0947 \u0939\u0948\u0902\u0964<\/p>\n

\u092e\u0947\u0930\u0947 \u092e\u0928 \u0915\u0940 \u0930\u093e\u0924 \u0915\u0947 \u092a\u0902\u091b\u0940<\/p>\n

\u0935\u0939 \u0932\u093f\u0916\u0942\u0902\u0917\u093e \u091c\u094b \u0905\u092c \u0924\u0915 \u092e\u0941\u091d\u0947 \u0928\u0939\u0940\u0902 \u0939\u0941\u0906,<\/p>\n

\u0935\u093f\u0938\u094d\u092e\u0943\u0924\u093f \u0915\u0947 \u0935\u093f\u0936\u093e\u0932 \u091c\u093e\u0928\u0935\u0930 \u092e\u0947\u0930\u0947 \u092e\u0938\u094d\u0924\u093f\u0937\u094d\u0915 \u092a\u0930 \u092d\u093e\u0930 \u0921\u093e\u0932\u0947\u0902\u0917\u0947\u0964<\/p>\n

\u0928\u093f\u0936\u094d\u091a\u093f\u0924\u0924\u093e \u0906\u0935\u0936\u094d\u092f\u0915 \u0928\u0939\u0940\u0902 \u0939\u094b\u0917\u0940<\/p>\n

\u0905\u0928\u093f\u0936\u094d\u091a\u093f\u0924\u0924\u093e \u0915\u094b \u0905\u0915\u0947\u0932\u093e \u091b\u094b\u0921\u093c \u0926\u094b<\/p>\n

\u091c\u093e\u0928\u0928\u0947 \u0915\u093e<\/p>\n

\u0915\u0932 \u0915\u094d\u092f\u093e \u0939\u094b \u0938\u0915\u0924\u093e \u0939\u0948?<\/p>\n

\u0905\u092d\u0940<\/p>\n

\u092e\u0948\u0902 \u0930\u094b\u092a\u0924\u093e \u0939\u0942\u0901<\/p>\n

\u090f\u0915 \u0936\u092c\u094d\u0926<\/p>\n

\u0939\u0930\u0940 \u0911\u0915\u094d\u0938\u0940\u091c\u0928\u0964<\/p>\n

\u092b\u0930\u094d\u0928\u093e\u0902\u0921\u094b<\/strong> \u0905\u0932\u094b\u0902\u0938\u094b<\/strong>, \u0909\u0930\u0941\u0917\u094d\u0935\u0947 (1975)<\/p>\n

\u091c\u094d\u092f\u094b\u0924\u093f\u0930\u094d\u092e\u092f \u0920\u093e\u0915\u0941\u0930 \u0926\u094d\u0935\u093e\u0930\u093e \u0939\u093f\u0902\u0926\u0940 \u0905\u0928\u0941\u0935\u093e\u0926 l<\/p>\n

Hindi translation by Jyotirmaya Thakur. <\/em><\/strong><\/p>\n

***<\/p>\n

MENGIGAU<\/strong><\/p>\n

Malam akan menemukanku ditengah puisi yang
\ntenang
\ntapi sang penyair dengan kemarahan
\nmenceracau dalam sempurna akal
\nseperti populasi yang gering ingin dipulihkan.<\/p>\n

Burung malam dari bayanganku
\nakan menyusun yang belum berlaku untukku,<\/p>\n

Satwa gergasi yang terabaikan membebani pikiranku.<\/p>\n

Kepastian tidak krusial
\napalagi ketidak pastian
\nmenyadari
\napa yang berlaku esok hari?<\/p>\n

Sekarang
\nSaya menanam
\nkata<\/p>\n

Oxygen hijau.<\/p>\n

FERNANDO ALONSO<\/strong>, Uruguay (1975)<\/p>\n

Translation Lily Siti Multatuliana (Indonesia)<\/em><\/strong><\/p>\n

***<\/p>\n

R\u00c1MHAILLEACH<\/strong><\/p>\n

Casfaidh an o\u00edche orm i l\u00e1r d\u00e1in
\nchi\u00fain
\nm\u00e9 r\u00e1mhailleach mar is dual don fhile
\ngach t\u00e9ad de mo bheo ar crith
\nan tsocha\u00ed thinn ar fad mar sprioc agam<\/p>\n

Scr\u00edobhfaidh cailligh dhubha m\u2019intinn
\ntairngreacht mo bheatha sa dorchadas<\/p>\n

Slogfaidh arrachta\u00ed uaf\u00e1is gach bl\u00faire de mo chuimhne.<\/p>\n

N\u00ed bheidh g\u00e1 a thuilleadh leis an gcinnteacht
\nn\u00ed bhacfar
\nach an oiread
\ntuairisc an lae am\u00e1rach a chur<\/p>\n

N\u00ed bheidh ann anois
\nach
\nan briathar<\/p>\n

mar ocsaigin \u00far.<\/p>\n

FERNANDO ALONSO<\/strong>, Uragua (1975)<\/p>\n

Rua Breathnach<\/em><\/strong> a d\u2019aistrigh<\/em><\/p>\n

Translated into Irish (Gaelic) by Rua Breathnach<\/em><\/strong><\/p>\n

\n

***<\/p>\n

\u305b\u3093\u5984<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

\u591c\u306f\u8a69\u306e\u4e2d\u306b\u79c1\u3092\u898b\u3064\u3051\u308b<\/p>\n

\u9759\u304b\u3060<\/p>\n

\u3057\u304b\u3057\u305d\u306e\u8a69\u4eba\u306e\u6fc0\u3057\u3044\u6012\u308a\u306f<\/p>\n

\u3069\u3093\u306a\u6b63\u6c17\u3082\u5931\u308f\u305b\u308b<\/p>\n

\u307e\u308b\u3067\u3053\u306e\u75c5\u3093\u3060\u793e\u4f1a\u3092\u6cbb\u3057\u305f\u3044\u304b\u306e\u3088\u3046\u306b<\/p>\n

\u79c1\u306e\u5fc3\u306b\u3044\u308b\u591c\u9ce5\u306f<\/p>\n

\u81ea\u5206\u306b\u307e\u3060\u8d77\u304d\u305f\u3053\u3068\u3082\u306a\u3044\u3053\u3068\u3092\u66f8\u304d\u8a18\u3059<\/p>\n

\u5de8\u5927\u306a\u5fd8\u5374\u306e\u7363\u306f\u79c1\u306e\u982d\u8133\u306b\u306e\u3057\u304b\u304b\u308b<\/p>\n

\u78ba\u304b\u3055\u306a\u3069\u306f\u5fc5\u8981\u304c\u306a\u3044<\/p>\n

\u77e5\u308b\u3053\u3068\u306e\u4e0d\u78ba\u304b\u3055\u306e\u307f\u304c\u660e\u65e5\u306b\u8d77\u304d\u308b\u304b\u3082\u3057\u308c\u306a\u3044<\/p>\n

\u79c1\u306f\u3044\u307e\u300c\u7dd1\u306e\u9178\u7d20\u300d\u3068\u3044\u3046\u8a00\u8449\u3092\u5730\u306b\u690d\u3048\u308b<\/p>\n

\u00a0<\/strong><\/p>\n

\u30d5\u30a7\u30eb\u30ca\u30f3\u30c9\u30fb\u30a2\u30ed\u30f3\u30bd<\/strong>\uff08\u30a6\u30eb\u30b0\u30a2\u30a4\uff0c1975\uff09<\/p>\n

Translated into Japanese by Manabu Kitawaki <\/em><\/strong><\/p>\n

***<\/p>\n

MSISIMKO NA DHIHAKA<\/strong><\/p>\n

Usiku utanikuta katikati ya shairi tulivu, lakini kwa hasira ya mshairi, akili iliyovurugika juu ya wote wenye akili timamu,
\nkama kutaka kuponya jamii ya wagonjwa.<\/p>\n

Ndege wa usiku wa akili yangu wataandika kile ambacho bado fanyika,<\/p>\n

wanyama wakubwa wa kusahaulika watalemea ubongo wangu.<\/p>\n

Uhakika hautahitajika,
\nachilia mbali kutokuwa uhakika wa nini kinaweza kutokea kesho?<\/p>\n

Sasa
\nninapanda
\nneno<\/p>\n

oksijeni ya kijani.<\/p>\n

FERNANDO ALONSO<\/strong>, Uruguay (1975)<\/p>\n

Watafsiri ni Germain Droogenbroodt na Stanley Barkan pamoja na Bob Mwangi Kihara<\/em><\/strong><\/p>\n

Translated into Kiswahili by Bob Mwangi Kihara<\/em><\/strong><\/p>\n

***<\/p>\n

VIR\u00ceN<\/strong><\/p>\n

\u015eev dixwaze min di n\u00eev\u00ea helbestek\u00ea de<\/p>\n

h\u00eamin bib\u00eene<\/p>\n

l\u00ea enira helbestvan<\/p>\n

vir\u00een\u00ee ye bi ser hem\u00ee xir\u00eedeyan<\/p>\n

m\u00eena civakeke nexwa\u015f ku bi awat e b\u00ea dermankirin<\/p>\n

\u00c7iv\u00eek\u00ean \u015fev\u00ea y\u00ean rewana min<\/p>\n

w\u00ea biniv\u00eesin, ew hizr\u00ean h\u00een nehatine b\u00eera min<\/p>\n

ajel\u00ean zebelah \u00ean jib\u00eerkirin\u00ea w\u00ea li ser m\u00eajiy\u00ea min<\/p>\n

bibin bar.<\/p>\n

Bisteh\u00ee w\u00ea ne p\u00eadiv\u00ee be<\/p>\n

ku bicarek\u00ea b\u00eadengmay\u00een teqeziya<\/p>\n

zan\u00een\u00ea<\/p>\n

w\u00ea siba \u00e7i bibe?<\/p>\n

Niha<\/p>\n

ez\u00ea peyvek\u00ea<\/p>\n

bi\u00e7\u00eenim<\/p>\n

oksc\u00eena kesk.<\/p>\n

FERNANDO ALONSO<\/strong>, 1975, \u00dbr\u00fbgway<\/p>\n

Translation into Kurdish by Hussein Habasch<\/em><\/strong><\/p>\n

\u00a0<\/em><\/strong><\/p>\n

***<\/p>\n

DELIRIOUS<\/strong><\/p>\n

\u040c\u0435 \u043c\u0435 \u043d\u0430\u0458\u0434\u0435 \u043d\u043e\u045c\u0442\u0430 \u0441\u0440\u0435\u0434\u0435 \u043f\u0435\u0441\u043d\u0430\u0442\u0430<\/p>\n

\u043c\u0438\u0440\u0435\u043d<\/p>\n

\u043d\u043e \u0431\u0435\u0441\u0435\u043d \u043a\u0430\u043a\u043e \u043f\u043e\u0435\u0442
\n\u0432\u043e \u0431\u0443\u043d\u0438\u043b\u043e \u0441\u0435\u0442 \u043d\u0430\u0441\u043f\u0440\u043e\u0442\u0438 \u0441\u0438\u0442\u0435 \u0443\u043c\u043d\u0438 \u0438 \u0440\u0430\u0437\u0443\u043c\u043d\u0438
\n\u043a\u0430\u043a\u043e \u0434\u0430 \u0441\u0430\u043a\u0430\u043c \u0434\u0430 \u0433\u043e \u0438\u0437\u043b\u0435\u0447\u0430\u043c \u0431\u043e\u043b\u043d\u043e\u0442\u043e \u043e\u043f\u0448\u0442\u0435\u0441\u0442\u0432\u043e.
\n\u041d\u043e\u045c\u043d\u0438\u0442\u0435 \u043f\u0442\u0438\u0446\u0438 \u043d\u0430 \u043c\u043e\u0458\u043e\u0442 \u0443\u043c<\/p>\n

\u045c\u0435 \u0433\u043e \u043d\u0430\u043f\u0438\u0448\u0430\u0442 \u0442\u043e\u0430 \u043d\u0430 \u0448\u0442\u043e \u0441\u0435 \u0443\u0448\u0442\u0435 \u043d\u0435 \u0441\u0443\u043c \u0441\u0435 \u0441\u0435\u0442\u0438\u043b,
\n\u045f\u0438\u043d\u043e\u0432\u0441\u043a\u0438\u0442\u0435 \u0455\u0432\u0435\u0440\u043e\u0432\u0438 \u043d\u0430 \u0437\u0430\u0431\u043e\u0440\u0430\u0432\u043e\u0442 \u045c\u0435 \u043c\u0443 \u0442\u0435\u0436\u0430\u0442 \u043d\u0430 \u043c\u043e\u0458\u043e\u0442 \u043c\u043e\u0437\u043e\u043a.<\/p>\n

\u0421\u0438\u0433\u0443\u0440\u043d\u043e\u0441\u0442\u0430 \u043d\u0435\u043c\u0430 \u0434\u0430 \u0431\u0438\u0434\u0435 \u043f\u043e\u0442\u0440\u0435\u0431\u043d\u0430<\/p>\n

\u0430 \u0443\u0448\u0442\u0435 \u043f\u043e\u043c\u0430\u043b\u043a\u0443 \u043d\u0435\u0441\u0438\u0433\u0443\u0440\u043d\u043e\u0441\u0442\u0430<\/p>\n

\u043d\u0430 \u0442\u043e\u0430 \u0434\u0430 \u0441\u0435 \u0437\u043d\u0430\u0435<\/p>\n

\u0448\u0442\u043e \u045c\u0435 \u0441\u0435 \u0441\u043b\u0443\u0447\u0438 \u0443\u0442\u0440\u0435?<\/p>\n

\u0421\u0435\u0433\u0430
\n\u0417\u0430\u0441\u0430\u0434\u0443\u0432\u0430\u043c
\n\u0437\u0431\u043e\u0440<\/p>\n

\u0437\u0435\u043b\u0435\u043d \u043f\u043e\u043b\u043d \u0441\u043e \u043a\u0438\u0441\u043b\u043e\u0440\u043e\u0434.<\/p>\n

\u00a0<\/strong><\/p>\n

FERNANDO ALONSO<\/strong>, Uruguay (1975)<\/p>\n

\u0424\u0415\u0420\u041d\u0410\u041d\u0414\u041e \u0410\u041b\u041e\u041d\u0421\u041e<\/strong>, \u0423\u0440\u0443\u0433\u0432\u0430\u0458 (1975)<\/p>\n

Translation Germain Droogenbroodt \u2013 Stanley Barkan<\/em><\/strong><\/p>\n

\u041f\u0440\u0435\u0432\u043e\u0434 \u043d\u0430 \u0430\u043d\u0433\u043b\u0438\u0441\u043a\u0438: \u0416\u0435\u0440\u043c\u0435\u043d \u0414\u0440\u043e\u0433\u0435\u043d\u0431\u0440\u043e\u0442 \u0438 \u0421\u0442\u0435\u043d\u043b\u0438 \u0411\u0430\u0440\u043a\u0430\u043d<\/em><\/strong><\/p>\n

Translation into Macedonian: Daniela Andonovska-Trajkovska <\/em><\/strong><\/p>\n

\u041f\u0440\u0435\u0432\u043e\u0434 \u043d\u0430 \u043c\u0430\u043a\u0435\u0434\u043e\u043d\u0441\u043a\u0438: \u0414\u0430\u043d\u0438\u0435\u043b\u0430 \u0410\u043d\u0434\u043e\u043d\u043e\u0432\u0441\u043a\u0430-\u0422\u0440\u0430\u0458\u043a\u043e\u0432\u0441\u043a\u0430<\/em><\/strong><\/p>\n

\n

***<\/p>\n

W MAJAKACH<\/strong><\/p>\n

Noc zastanie mnie w \u015brodku wiersza
\nw ciszy
\nlecz w szale\u0144stwie poety
\nw majakach ponad wszystkimi normalnymi
\njak gdybym chcia\u0142 uzdrowi\u0107 chore spo\u0142ecze\u0144stwo.<\/p>\n

Noce ptaki mojego umys\u0142u
\nnapisz\u0105 to, co si\u0119 jeszcze mi nie zdarzy\u0142o<\/p>\n

Zaci\u0105\u017c\u0105 nad moim m\u00f3zgiem ogromne bestie zapomnienia.<\/p>\n

Nie bedzie konieczna pewno\u015b\u0107
\na c\u00f3\u017c\u00a0 dopiero wiedza w\u0105tpliwa
\no tym,
\nco zdarzy si\u0119 jutro?<\/p>\n

Teraz
\nsiej\u0119
\ns\u0142owo<\/p>\n

ciemnozielony tlen.<\/p>\n

FERNANDO ALONSO<\/strong>, Urugwaj (1975)<\/p>\n

Translated to Polish: Miros\u0142aw Grudzie\u0144 \u2013 Anna Maria St\u0119pie\u0144<\/em><\/strong><\/p>\n

***<\/p>\n

\u0411\u0415\u0417\u0423\u041c\u041d\u042b\u0419<\/strong><\/p>\n

\u041d\u043e\u0447\u044c \u043c\u0435\u043d\u044f \u043d\u0430\u0439\u0434\u0435\u0442 \u0432 \u0441\u0442\u0438\u0445\u0430\u0445,
\n\u0441\u043f\u043e\u043a\u043e\u0439\u043d\u043e\u0433\u043e,
\n\u043d\u043e \u0432 \u043f\u043e\u044d\u0442\u0438\u0447\u0435\u0441\u043a\u043e\u0439 \u044f\u0440\u043e\u0441\u0442\u0438,
\n\u0431\u0435\u0437\u0443\u043c\u043d\u043e\u0433\u043e \u043d\u0430 \u0442\u0435\u043c\u0443 \u0440\u0430\u0437\u0443\u043c\u0430,
\n\u043a\u0430\u043a, \u043d\u0430\u043f\u0440\u0438\u043c\u0435\u0440, \u0436\u0435\u043b\u0430\u043d\u0438\u0435 \u0432\u044b\u043b\u0435\u0447\u0438\u0442\u044c \u0432\u0435\u0441\u044c \u0431\u043e\u043b\u044c\u043d\u043e\u0439 \u043c\u0438\u0440.<\/p>\n

\u041d\u043e\u0447\u043d\u044b\u0435 \u043f\u0442\u0438\u0446\u044b \u043c\u043e\u0435\u0439 \u0434\u0443\u0448\u0438
\n\u043d\u0430\u043f\u0438\u0448\u0443\u0442 \u0442\u043e, \u043a \u0447\u0435\u043c\u0443 \u044f \u0441\u0430\u043c \u0435\u0449\u0435 \u043d\u0435 \u043f\u0440\u0438\u0448\u0435\u043b.<\/p>\n

\u0413\u0438\u0433\u0430\u043d\u0442\u0441\u043a\u0438\u0435 \u0437\u0432\u0435\u0440\u0438 \u0437\u0430\u0431\u0432\u0435\u043d\u0438\u044f \u0431\u0443\u0434\u0443\u0442 \u0434\u0430\u0432\u0438\u0442\u044c \u043d\u0430 \u043c\u043e\u0437\u0433.<\/p>\n

\u042f\u0441\u043d\u043e\u0441\u0442\u044c \u0437\u0434\u0435\u0441\u044c \u0431\u043e\u043b\u044c\u0448\u0435 \u043d\u0435 \u043d\u0443\u0436\u043d\u0430
\n\u043f\u0443\u0441\u0442\u044c \u0431\u0443\u0434\u0435\u0442 \u043d\u0435\u044f\u0441\u043d\u043e\u0441\u0442\u044c
\n\u0437\u043d\u0430\u043d\u0438\u044f.
\n\u0427\u0442\u043e \u0431\u0443\u0434\u0435\u0442 \u0437\u0430\u0432\u0442\u0440\u0430?<\/p>\n

\u0421\u0435\u0433\u043e\u0434\u043d\u044f
\n\u044f \u043f\u043e\u0441\u0430\u0436\u0443
\n\u0441\u043b\u043e\u0432\u043e<\/p>\n

\u0437\u0435\u043b\u0435\u043d\u044b\u0439 \u043a\u0438\u0441\u043b\u043e\u0440\u043e\u0434.<\/p>\n

\u0424\u0435\u0440\u043d\u0430\u043d\u0434\u043e \u0410\u043b\u043e\u043d\u0441\u043e<\/strong>, \u0423\u0440\u0443\u0433\u0432\u0430\u0439 (1975)<\/p>\n

\u041f\u0435\u0440\u0435\u0432\u043e\u0434 \u0413\u0435\u0440\u043c\u0430\u0439\u043d\u0430 \u0414\u0440\u043e\u0433\u0435\u043d\u0431\u0440\u043e\u0434\u0442\u0430
\n\u041f\u0435\u0440\u0435\u0432\u043e\u0434 \u043d\u0430 \u0440\u0443\u0441\u0441\u043a\u0438\u0439 \u044f\u0437\u044b\u043a \u0414\u0430\u0440\u044c\u0438 \u041c\u0438\u0448\u0443\u0435\u0432\u043e\u0439<\/em><\/p>\n

Translated into Russian by Daria Mishueva<\/em><\/strong><\/p>\n

\u00a0<\/em><\/p>\n

***<\/em><\/p>\n

ZANESEN<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

No\u0107 \u0107e me na\u0107i smirenog usred pesme<\/p>\n

ali punog besa<\/p>\n

bunovnog pesnika,<\/p>\n

koji bi hteo da izle\u010di bolesno dru\u0161tvo.<\/p>\n

No\u0107ne ptice moga uma<\/p>\n

\u0107e pisati o onome<\/p>\n

\u010dega se jo\u0161 nisam setio,<\/p>\n

Mozak \u0107e mi biti pritisnut<\/p>\n

ogromnim zverima zaborava.<\/p>\n

Pouzdanost ne\u0107e biti potrebna<\/p>\n

u saznanju<\/p>\n

a ni u neizvesnosti<\/p>\n

\u0161ta \u0107e biti sutra.<\/p>\n

Sada sadim re\u010d<\/p>\n

zeleni kiseonik.<\/p>\n

FERNANDO ALONSO<\/strong>, Urugvaj (1975)<\/p>\n

Sa engleskog prevela S. Piksiades<\/em><\/strong><\/p>\n

Translated into Serbian by S. Piksiades<\/em><\/strong><\/p>\n

\u00a0<\/em><\/strong><\/p>\n

***<\/em><\/p>\n

DERILANTI<\/strong><\/p>\n

di notti mi truvati a mmenzu di na puisia<\/p>\n

nt\u00e2 calma<\/p>\n

per\u00f2 la furia d\u00fb pueta<\/p>\n

ca sdilliri\u00eca supra a tutti li sapienti<\/p>\n

ca vonnu sanari na societ\u00e0 malata.<\/p>\n

L\u2019aceddi di la notti d\u00e2 me menti<\/p>\n

scrivunu nzoccu non m\u2019avi ancora succidutu.<\/p>\n

Gigantischi armali di l\u2019obliu venunu a pisari supra u ciriveddu<\/p>\n

la cirtizza non sarr\u00e0 nicissaria<\/p>\n

E tantu menu la \u2018ncirtizza<\/p>\n

di sapiri<\/p>\n

nzoccu dumani arriva.<\/p>\n

Pri ora<\/p>\n

chiantu<\/p>\n

na palora<\/p>\n

ossigginu virdi.<\/p>\n

FERNANDO ALONSO<\/strong>, Uruguay (1975)<\/p>\n

Traduzioni in sicilianu di Gaetano Cipolla<\/em><\/strong><\/p>\n

\u00a0<\/em><\/p>\n

***<\/em><\/p>\n

\u0bae\u0baf\u0b95\u0bcd\u0b95\u0bae\u0bcd<\/strong><\/p>\n

\u0b85\u0bae\u0bc8\u0ba4\u0bbf\u0baf\u0bbe\u0ba9<\/p>\n

\u0b86\u0ba9\u0bbe\u0bb2\u0bcd<\/p>\n

\u0ba8\u0bcb\u0baf\u0bc1\u0bb1\u0bcd\u0bb1 \u0b9a\u0bae\u0bc1\u0ba4\u0bbe\u0baf\u0ba4\u0bcd\u0ba4\u0bc8 \u0b9a\u0bb0\u0bbf\u0baa\u0bcd\u0baa\u0b9f\u0bc1\u0ba4\u0bcd\u0ba4<\/p>\n

\u0bb5\u0bbf\u0bb0\u0bc1\u0bae\u0bcd\u0baa\u0bc1\u0bae\u0bcd \u0ba4\u0bc6\u0bb3\u0bbf\u0ba8\u0bcd\u0ba4 \u0b85\u0bb1\u0bbf\u0bb5\u0bc1\u0b9f\u0bc8\u0baf<\/p>\n

\u0b9a\u0bbf\u0ba9\u0ba4\u0bcd\u0ba4\u0bbf\u0bb2\u0bcd \u0b87\u0bb0\u0bc1\u0b95\u0bcd\u0b95\u0bc1\u0bae\u0bcd \u0b95\u0bb5\u0bbf\u0b9e\u0bcd\u0ba9\u0bcd<\/p>\n

\u0b87\u0bb0\u0bb5\u0bbf\u0bb2\u0bcd \u0b92\u0bb0\u0bc1 \u0b95\u0bb5\u0bbf\u0ba4\u0bc8\u0b95\u0bcd\u0b95\u0bc1 \u0b87\u0b9f\u0bc8\u0baf\u0bc7 \u0b8e\u0ba9\u0bcd\u0ba9\u0bc8\u0b95\u0bcd \u0b95\u0bbe\u0ba3\u0bc1\u0bae\u0bcd<\/p>\n

\u0b87\u0ba4\u0bc1\u0bb5\u0bb0\u0bc8 \u0b8e\u0ba9\u0b95\u0bcd\u0b95\u0bc1\u0baa\u0bcd \u0baa\u0bc1\u0bb2\u0baa\u0bcd\u0baa\u0b9f\u0bbe\u0ba4 \u0ba4\u0bc8\u0baa\u0bcd \u0baa\u0bb1\u0bcd\u0bb1\u0bbf \u0b8e\u0bb4\u0bc1\u0ba4\u0bc1\u0bb5\u0bc7\u0ba9\u0bcd<\/p>\n

\u0bae\u0bb1\u0b95\u0bcd\u0b95\u0baa\u0bcd\u0baa\u0b9f\u0bcd\u0b9f \u0baa\u0bbf\u0bb0\u0bae\u0bcd\u0bae\u0bbe\u0ba3\u0bcd\u0b9f\u0bae\u0bbe\u0ba9 \u0bae\u0bbf\u0bb0\u0bc1\u0b95\u0b99\u0bcd\u0b95\u0bb3\u0bcd<\/p>\n

\u0b8e\u0ba9\u0ba4\u0bc1 \u0b85\u0bb1\u0bbf\u0bb5\u0bbf\u0bb2\u0bcd \u0b85\u0bae\u0bb0\u0bc1\u0bae\u0bcd<\/p>\n

\u0b89\u0bb1\u0bc1\u0ba4\u0bbf\u0ba8\u0bbf\u0bb2\u0bc8 \u0ba4\u0bc7\u0bb5\u0bc8\u0baf\u0bbf\u0bb2\u0bcd\u0bb2\u0bc8<\/p>\n

\u0ba8\u0bbe\u0bb3\u0bc8 \u0b8e\u0ba9\u0bcd\u0ba9 \u0ba8\u0b9f\u0b95\u0bcd\u0b95\u0bc1\u0bae\u0bcd<\/p>\n

\u0b8e\u0ba9\u0bcd\u0baa\u0ba4\u0bc8\u0ba4\u0bcd \u0ba4\u0bc6\u0bb0\u0bbf\u0ba8\u0bcd\u0ba4\u0bc1 \u0b95\u0bca\u0bb3\u0bcd\u0bb5\u0ba4\u0bc8<\/p>\n

\u0bb5\u0bbf\u0b9f\u0bcd\u0b9f\u0bc1\u0bb5\u0bbf\u0b9f\u0bc1\u0bb5\u0bcb\u0bae\u0bcd<\/p>\n

\u0b87\u0baa\u0bcd\u0baa\u0bca\u0bb4\u0bc1\u0ba4\u0bc1 \u0ba8\u0bbe\u0ba9\u0bcd \u0baa\u0b9a\u0b9a\u0bc8 \u0baa\u0bbf\u0bb0\u0bbe\u0ba3\u0bb5\u0bbe\u0baf\u0bc1\u0bb5\u0bc8<\/p>\n

\u0bb5\u0bbf\u0ba4\u0bc8\u0b95\u0bcd\u0b95\u0bbf\u0bb1\u0bc7\u0ba9\u0bcd.<\/p>\n

\u0b86\u0b95\u0bcd\u0b95\u0bae\u0bcd<\/p>\n

\u0bae\u0bca\u0bb4\u0bbf\u0bae\u0bbe\u0bb1\u0bcd\u0bb1\u0bae\u0bcd<\/p>\n

FERNANDO ALONSO<\/strong>, Uruguay (1975)<\/p>\n

Translated into Tamil by DR. N V Subbaraman<\/em><\/strong><\/p>\n

<\/p>\n

<\/p>","protected":false},"excerpt":{"rendered":"

Painting by John Hacking, Netherlands Poem of the Week Ithaca 732 \u201cDELIRIOUS\u201d, (1975) from the book: \u201c\u201cFuriosa Calma\u201d – All translations are made in collaboration with Germain Droogenbroodt – Poem in French, Italian, German, Greek, Portuguese, Romanian, Icelandic and in Albanian, Arabic, Armenian, Bangla, Bosnian, Catalan, Chinese, Farsi, Hebrew, Hindi, Indonesian, Irish (Gaelic), Japanese, Kiswahili, […]<\/p>\n","protected":false},"author":1,"featured_media":5560,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_wp_rev_ctl_limit":""},"categories":[33],"tags":[],"_links":{"self":[{"href":"https:\/\/www.point-editions.com\/ww\/wp-json\/wp\/v2\/posts\/5675"}],"collection":[{"href":"https:\/\/www.point-editions.com\/ww\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.point-editions.com\/ww\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.point-editions.com\/ww\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.point-editions.com\/ww\/wp-json\/wp\/v2\/comments?post=5675"}],"version-history":[{"count":2,"href":"https:\/\/www.point-editions.com\/ww\/wp-json\/wp\/v2\/posts\/5675\/revisions"}],"predecessor-version":[{"id":5677,"href":"https:\/\/www.point-editions.com\/ww\/wp-json\/wp\/v2\/posts\/5675\/revisions\/5677"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.point-editions.com\/ww\/wp-json\/wp\/v2\/media\/5560"}],"wp:attachment":[{"href":"https:\/\/www.point-editions.com\/ww\/wp-json\/wp\/v2\/media?parent=5675"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.point-editions.com\/ww\/wp-json\/wp\/v2\/categories?post=5675"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.point-editions.com\/ww\/wp-json\/wp\/v2\/tags?post=5675"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}