![\"\"](\"https:\/\/www.point-editions.com\/wp-content\/uploads\/2026\/02\/Biagio-Fortini-Paysage-300x214.jpg\")
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Painting Biagio Fortini, Italy<\/em><\/strong><\/p>\n Poem in English, Spanish, Dutch, French, German, Italian, Catalan, Gallego, Portuguese, Irish, and Albanian, Arabic, Bosnian, Bulgarian, Chinese, Danish, Farsi, Greek, Hindi, Icelandic, Indonesian, Japanese, Kiswahili, Korean, Kurdish, Macedonian,\u00a0 Maithili, Nepalese, Polish, Romanian, Russian, Serbian, Sicilian, Tamil, Turkish, Urdu and Uzbek<\/p>\n Poetry without borders 823 \u00a0\u201cGenesis\u201d <\/strong>NUNO J\u00daDICE<\/strong>, Portugal, de \u201cA Condescend\u00eancia do Ser<\/em><\/strong>\u201d, Assirio & Alvim, 1988<\/p>\n – All translations are made in collaboration with Germain Droogenbroodt –<\/p>\n \u00a0Genesis<\/strong><\/p>\n \u00a0<\/strong><\/p>\n Every poem begins in the morning, with the sun. Even Nuno J\u00fadice<\/strong>, Portugal, 1949-2024 <\/p>\n ***<\/p>\n G\u00e9nesis <\/strong><\/p>\n Todo poema comienza por la ma\u00f1ana, con el sol. Aunque<\/p>\n el sol no est\u00e9 a la vista (es decir, cielo de lluvia)<\/p>\n el poema es lo que explica todo, lo que da luz<\/p>\n a la tierra, al cielo, y con nubes mezcladas -la luz molesta<\/p>\n cuando es excesiva. Luego, el poema sube<\/p>\n con las nieblas que arrastra el d\u00eda; se cuela por las copas de los<\/p>\n \u00e1rboles, canta con los p\u00e1jaros y corre con los riachuelos<\/p>\n que vienen de no se sabe d\u00f3nde y a d\u00f3nde van<\/p>\n no se sabe. El poema cuenta c\u00f3mo se ha hecho todo:<\/p>\n menos \u00e9l mismo, que comienza por un azar ceniciento,<\/p>\n como esta ma\u00f1ana, y acaba, tambi\u00e9n por azar,<\/p>\n con el sol queriendo brotar.<\/p>\n NUNO J\u00daDICE<\/strong>, Portugal, 1949-2024<\/p>\n Spanish translation: Germain Droogenbroodt & Rafael Carcel\u00e9n<\/em><\/p>\n ***<\/p>\n Genese ***<\/p>\n Gen\u00e8se<\/strong><\/p>\n Chaque po\u00e8me commence au lever du soleil M\u00eame<\/p>\n si le soleil n\u2019est pas visible (c\u2019est-\u00e0-dire par temps pluvieux),<\/p>\n le po\u00e8me \u00e9claire tout, il illumine la terre,<\/p>\n le ciel avec des nuages au passage \u2013 la lumi\u00e8re g\u00e8ne,<\/p>\n quand elle est trop violente. Ensuite le po\u00e8me s\u2019\u00e9l\u00e8ve<\/p>\n avec la brume que le jour entra\u00eene avec lui, il p\u00e9n\u00e8tre la cime des<\/p>\n arbres, chante avec les oiseaux et coule avec les ruisseaux dont personne<\/p>\n ne sait d\u2019o\u00f9 ils viennent et o\u00f9<\/p>\n ils vont. Le po\u00e8me raconte l\u2019origine de tout :<\/p>\n sauf la sienne, qui commence par un sombre hasard,<\/p>\n comme ce matin, et se termine, \u00e9galement par hasard,<\/p>\n avec le soleil qui s\u2019obstine \u00e0 vouloir percer.<\/p>\n Nuno J\u00fadice<\/strong>, Portugal, 1949-2024<\/p>\n Traduction Germain Droogenbroodt \u2013 Elisabeth Gerlache<\/em><\/p>\n ***<\/p>\n Genesis<\/strong><\/p>\n Jedes Gedicht beginnt am Morgen, mit der Sonne. Auch wenn<\/p>\n das Gedicht nicht zu sehen ist (d. h. bei Regenwetter)<\/p>\n ist es das Gedicht, das alles erkl\u00e4rt, es gibt Licht<\/p>\n auf die Erde und am Himmel mit Wolken dazwischen \u2013 das Licht<\/p>\n st\u00f6rt wenn es zu prall ist. Dann steigt das Gedicht auf<\/p>\n mit dem Nebel, den der Tag mit sich bringt; es schl\u00fcpft durch die Baumkronen,<\/p>\n singt mit den V\u00f6geln und rennt mit den B\u00e4chen,<\/p>\n wovon man nicht wei\u00df woher sie kommen und wohin sie flie\u00dfen.<\/p>\n Das Gedicht erz\u00e4hlt, wie alles gemacht wird:<\/p>\n au\u00dfer sich selbst, das mit einem grauen Zufall beginnt,<\/p>\n wie diesen Morgen, und endet, ebenfalls zuf\u00e4llig,<\/p>\n mit der Sonne, die durchbrechen will.<\/p>\n NUNO J\u00daDICE<\/strong>, Portugal, 1949-2024<\/p>\n \u00dcbersetzung Germain Droogenbroodt<\/em><\/p>\n ***<\/p>\n Genesi <\/strong><\/p>\n Ogni poesia inizia al mattino. Anche<\/p>\n se la poesia non \u00e8 visibile (il che significa un cielo piovoso)<\/p>\n la poesia \u00e8 ci\u00f2 che tutto spiega, d\u00e0 luce<\/p>\n alla terra, al cielo e quando in mezzo vi sono le nuvole<\/p>\n – la luce \u00e8 fastidiosa quando \u00e8 eccessiva. Allora<\/p>\n la poesia sorge con la nebbia che si porta dietro il giorno;<\/p>\n passa attraverso i rami, canta con gli uccelli<\/p>\n e corre con i ruscelli che nessuno sa<\/p>\n da dove vengano e dove vadano.<\/p>\n la poesia racconta come tutto \u00e8 fatto:<\/p>\n tranne s\u00e8 stessa, inizia per caso con il grigio,<\/p>\n come questo mattino, e finisce, sempre per caso,<\/p>\n con il sole che spera di uscire e splendere.<\/p>\n Nuno J\u00fadice<\/strong>, Portogallo, 1949-2024<\/p>\n Traduzione di Germain Droogenbroodt e Luca Benassi<\/em><\/p>\n ***<\/p>\n G\u00e8nesi<\/strong><\/p>\n Tot poema comen\u00e7a al mat\u00ed, amb el sol. Encara<\/p>\n que el sol no estigui a la vista (\u00e9s a dir, cel de pluja)<\/p>\n el poema \u00e9s el que ho explica tot, all\u00f2 que d\u00f3na llum<\/p>\n a la terra, al cel, i amb n\u00favols barrejats -la llum molesta<\/p>\n quan \u00e9s excessiva. Despr\u00e9s, el poema puja<\/p>\n amb les boires que arrossega el dia; es cola per les copes dels<\/p>\n arbres, canta amb els ocells i corre amb els rierols<\/p>\n que v\u00e9nen de no se sap on ia on van<\/p>\n no se sap. El poema explica com s’ha fet tot:<\/p>\n menys ell mateix, que comen\u00e7a per un atzar cendr\u00f3s,<\/p>\n com aquest mat\u00ed, i acaba, tamb\u00e9 per atzar,<\/p>\n amb el sol que vol brollar.<\/p>\n NUNO J\u00daDICE<\/strong>, Portugal, 1949-2024 ***<\/p>\n X\u00e9nese<\/strong><\/p>\n Todo poema comeza de man\u00e1, co Sol. Mesmo NUNO J\u00daDICE<\/strong>, Portugal, 1949-2024 \u00a0<\/em><\/p>\n ***<\/em><\/p>\n \u00a0<\/em><\/p>\n Sorkuntza<\/strong><\/p>\n <\/p>\n Poema bakoitza goizean hasten da, eguzkia alboan duela. Ondoren, poema igotzen da egunean barna lainoekin, Poemak kontatzen du nola sortu den dena: NUNO J\u00daDICE<\/strong>, Portugal, 1949-2024 \u00a0<\/em><\/p>\n ***<\/em><\/p>\n \u00a0<\/em><\/p>\n G\u00e9nesis<\/strong><\/p>\n Todo o poema come\u00e7a de manh\u00e3, com o sol. Mesmo Nuno J\u00fadice<\/strong>, Portugal,\u00a01949-2024<\/p>\n ***<\/em><\/p>\n \u00a0<\/em><\/p>\n Gini\u00faint<\/strong><\/p>\n <\/p>\n Tosa\u00edonn gach d\u00e1n le h\u00e9ir\u00ed na gr\u00e9ine. sleamhna\u00edonn tr\u00edd an gcoill, Nuno J\u00fadice<\/strong>, an Phortaing\u00e9il, 1949-2024 <\/p>\n ***<\/p>\n \u00a0<\/em><\/p>\n Zanafilla<\/strong><\/p>\n \u00a0<\/strong><\/p>\n \u00c7do poezi fillon n\u00eb m\u00ebngjes, me diellin. Edhe<\/p>\n kur poezia s\u2019\u00ebsht\u00eb e dukshme (q\u00eb do t\u00eb thot\u00eb qiell me shi)<\/p>\n ajo shpjegon gjith\u00e7ka. Poezia i jep drit\u00eb<\/p>\n tok\u00ebs, qiellit dhe me ret\u00eb midis<\/p>\n – drita \u00ebsht\u00eb e bezdisshme kur \u00ebsht\u00eb me shumic\u00eb. Pastaj<\/p>\n poezia rritet me mjegullat q\u00eb dita i zvarrit;<\/p>\n ajo rr\u00ebshqet nd\u00ebr maja pem\u00ebsh, k\u00ebndon me zogjt\u00eb<\/p>\n dhe vrapon me p\u00ebrrenjt\u00eb q\u00eb askush nuk e di<\/p>\n nga vijn\u00eb dhe ku shkojn\u00eb.<\/p>\n Poezia tregon se si \u00ebsht\u00eb b\u00ebr\u00eb gjith\u00e7ka:<\/p>\n p\u00ebrve\u00e7 vetes, e cila fillon nga nj\u00eb rast\u00ebsi me ngjyr\u00eb gri,<\/p>\n si ky m\u00ebngjes, dhe mbaron, gjithashtu rast\u00ebsisht,<\/p>\n me diellin q\u00eb d\u00ebshiron mes reve t\u00eb hyj\u00eb.<\/p>\n Nuno J\u00fadice<\/strong>, Portugali, 1949-2024 <\/p>\n ***<\/p>\n \u062a\u0643\u0648\u064a\u0646<\/strong><\/p>\n \u0643\u0644 \u0642\u0635\u064a\u062f\u0629\u064d \u062a\u0628\u062f\u0623\u064f \u0641\u064a \u0627\u0644\u0635\u0628\u0627\u062d\u060c \u0645\u0639 \u0627\u0644\u0634\u0645\u0633<\/p>\n \u062d\u062a\u0649 \u0625\u0646 \u0644\u0645 \u062a\u0643\u0646 \u0645\u0631\u0626\u064a\u0629\u060c \u0623\u064a (\u062d\u064a\u0646 \u062a\u0643\u0648\u0646 \u0627\u0644\u0633\u0645\u0627\u0621 \u0645\u0627\u0637\u0631\u0629)<\/p>\n \u0641\u0625\u0646 \u0627\u0644\u0642\u0635\u064a\u062f\u0629 \u0647\u064a \u0627\u0644\u062a\u064a \u062a\u0641\u0633\u0651\u0631 \u0643\u0644\u0651\u064e \u0634\u064a\u0621. \u062a\u0645\u0646\u062d \u0627\u0644\u0636\u0648\u0621 \u0644\u0644\u0623\u0631\u0636\u060c \u0644\u0644\u0633\u0651\u0645\u0627\u0621\u060c \u0648\u0644\u0644\u0633\u062d\u0628 \u0628\u064a\u0646\u0647\u0645\u0627.. \u063a\u064a\u0631 \u0623\u0646\u0651 \u0627\u0644\u0636\u0648\u0621 \u064a\u0635\u0628\u062d \u0645\u0632\u0639\u062c\u0627\u064b \u062d\u064a\u0646 \u064a\u0641\u064a\u0636. \u062b\u0645\u0651 \u062a\u0646\u0647\u0636 \u0627\u0644\u0642\u0635\u064a\u062f\u0629 \u0645\u0639 \u0627\u0644\u0636\u0628\u0627\u0628 \u0627\u0644\u0630\u064a \u064a\u062c\u0631\u0651\u0647 \u0627\u0644\u0646\u0647\u0627\u0631 \u062e\u0644\u0641\u0647\u060c \u062b\u0645 \u062a\u0646\u0632\u0644\u0642 \u0639\u0628\u0631 \u0642\u0645\u0645 \u0627\u0644\u0623\u0634\u062c\u0627\u0631\u060c \u0648\u062a\u063a\u0646\u0651\u064a \u0645\u0639 \u0627\u0644\u0637\u064a\u0648\u0631\u060c \u0648\u062a\u0631\u0643\u0636 \u0628\u0645\u062d\u0627\u0630\u0627\u0629 \u0627\u0644\u062c\u062f\u0627\u0648\u0644 \u0627\u0644\u062a\u064a \u0644\u0627 \u0623\u062d\u062f \u064a\u0639\u0631\u0641<\/p>\n \u0645\u0646 \u0623\u064a\u0646 \u062a\u0623\u062a\u064a \u0648\u0623\u064a\u0646 \u0645\u0635\u0628\u0651\u0647\u0627.<\/p>\n \u0627\u0644\u0642\u0635\u064a\u062f\u0629 \u062a\u0633\u0631\u062f \u0643\u064a\u0641 \u0635\u064f\u0646\u0639\u062a \u0643\u0644 \u0627\u0644\u0623\u0634\u064a\u0627\u0621\u060c \u0645\u0627 \u0639\u062f\u0627 \u0646\u0641\u0633\u0647\u0627. \u0641\u0647\u064a \u062a\u0628\u062f\u0623 \u0628\u0635\u062f\u0641\u0629\u064d \u0631\u0645\u0627\u062f\u064a\u0629\u060c \u0643\u0645\u0627 \u0647\u0630\u0627 \u0627\u0644\u0635\u0628\u0627\u062d\u060c \u0648\u062a\u0646\u062a\u0647\u064a \u0628\u0627\u0644\u0635\u062f\u0641\u0629 \u0623\u064a\u0636\u0627\u064b\u060c \u0641\u064a\u0645\u0627 \u0627\u0644\u0634\u0645\u0633 \u062a\u0623\u0645\u0644\u064f \u0623\u0646 \u062a\u0634\u0642\u0651 \u0644\u0646\u0641\u0633\u0647\u0627 \u062f\u0631\u0628\u0627\u064b \u0628\u064a\u0646 \u062a\u0639\u0631\u062c\u0627\u062a\u0647\u0627.<\/p>\n \u0646\u0648\u0646\u0648 \u062c\u0648\u062f\u064a\u062a\u0634\u0647\u060c \u0627\u0644\u0628\u0631\u062a\u063a\u0627\u0644\u060c 1949 \u2013 2024<\/p>\n \u062a\u0631\u062c\u0645\u0629: \u062c\u064a\u0631\u0645\u0627\u0646 \u062f\u0631\u0648\u063a\u0646\u0628\u0631\u0648\u062f\u062a<\/p>\n \u0645\u0646 \u0645\u062c\u0645\u0648\u0639\u0629 (\u062a\u0633\u0627\u0645\u062d \u0627\u0644\u0643\u064a\u0646\u0648\u0646\u0629) – 1988<\/p>\n \u0627\u0644\u062a\u0631\u062c\u0645\u0629 \u0627\u0644\u0639\u0631\u0628\u064a\u0629: \u0639\u0627\u062f\u0644 \u062e\u0632\u0627\u0645<\/p>\n Arab translation: Adel Khozam<\/em><\/p>\n \u00a0<\/em><\/p>\n ***<\/p>\n \u00a0<\/em><\/p>\n Genesis \u00a0<\/em><\/p>\n \u09aa\u09cd\u09b0\u09a4\u09bf\u099f\u09be<\/em> \u0995\u09ac\u09bf\u09a4\u09be<\/em> \u09b6\u09c1\u09b0\u09c1<\/em> \u09b9\u09df<\/em> \u09aa\u09cd\u09b0\u09a4\u09cd\u09af\u09c1\u09b7\u09c7<\/em>,<\/em><\/p>\n \u09b8\u09c2\u09b0\u09cd\u09af\u09c7\u09b0<\/em> \u09b8\u09be\u09a5\u09c7<\/em> \u09b8\u09be\u09a5\u09c7<\/em>,<\/em><\/p>\n \u098f\u09ae\u09a8\u0995\u09bf<\/em> \u09af\u0996\u09a8<\/em>\u00a0 <\/em>\u099a\u09cb\u0996\u09c7<\/em> \u09a6\u09c7\u0996\u09be<\/em> \u09af\u09be\u09af\u09bc<\/em> \u09a8\u09be<\/em>( <\/em>\u09ae\u09c7\u0998\u09b2\u09be<\/em> \u0986\u0995\u09be\u09b6<\/em>)<\/em>,<\/em><\/p>\n \u00a0<\/em>\u09a4\u0996\u09a8\u0993<\/em> \u09a5\u09be\u0995\u09c7<\/em> \u0995\u09ac\u09bf\u09a4\u09be<\/em>\u0964<\/em><\/p>\n \u0995\u09ac\u09bf\u09a4\u09be<\/em> \u09b9\u099a\u09cd\u099b\u09c7<\/em> \u09b8\u09c7\u099f\u09be\u0987<\/em> \u09af\u09be<\/em> \u0986\u09b2\u09cb\u0995\u09bf\u09a4<\/em> \u0995\u09b0\u09c7<\/em>, <\/em><\/p>\n \u00a0<\/em>\u0986\u09b2\u09cb<\/em> \u09a6\u09c7\u09df<\/em> \u0986\u0995\u09be\u09b6\u0995\u09c7<\/em>,<\/em><\/p>\n \u09ae\u09c7\u0998\u09be\u099a\u09cd\u099b\u09a8\u09cd\u09a8<\/em> \u0986\u0995\u09be\u09b6\u0995\u09c7<\/em>–<\/em><\/p>\n \u00a0<\/em>\u098f\u0995\u09b8\u09ae\u09df<\/em> \u09aa\u09cd\u09b0\u0996\u09b0<\/em> \u09b0\u09cc\u09a6\u09cd\u09b0\u0995\u09c7<\/em> \u09ac\u09dc<\/em> \u09ac\u09c7\u09b6\u09bf<\/em> \u09ac\u09b2\u09c7<\/em> \u09ae\u09a8\u09c7<\/em> \u09b9\u09df<\/em>,<\/em><\/p>\n \u09a4\u09be\u09b0\u09aa\u09b0<\/em> \u0995\u09ac\u09bf\u09a4\u09be\u09b0<\/em> \u0986\u09ac\u09bf\u09b0\u09cd\u09ad\u09be\u09ac<\/em> \u0995\u09c1\u09df\u09be\u09b6\u09be\u09b0<\/em> \u09b8\u0999\u09cd\u0997\u09c7<\/em>,<\/em><\/p>\n \u00a0<\/em>\u09af\u09be<\/em> \u09a6\u09bf\u09a8<\/em> \u09a4\u09be\u09b0<\/em> \u09b8\u0999\u09cd\u0997\u09c7<\/em> \u09af\u09c7\u09a8<\/em> \u099f\u09c7\u09a8\u09c7<\/em> \u09a8\u09be\u09ae\u09bf\u09df\u09c7<\/em> \u09a8\u09c7\u09af\u09bc<\/em>,<\/em><\/p>\n \u09af\u09be<\/em> \u0997\u09be\u099b\u09c7\u09b0<\/em> \u09ae\u09be\u09a5\u09be<\/em> \u09a5\u09c7\u0995\u09c7<\/em> \u0997\u09dc\u09bf\u09df\u09c7<\/em> \u09a8\u09be\u09ae\u09c7<\/em>,<\/em><\/p>\n \u0997\u09be\u09a8<\/em> \u0997\u09be\u09df<\/em> \u09aa\u09be\u0996\u09bf\u09a6\u09c7\u09b0<\/em> \u09b8\u0999\u09cd\u0997\u09c7<\/em><\/p>\n \u098f\u09ac\u0982<\/em> \u09ac\u09b9\u09c7<\/em> \u09af\u09be\u09df<\/em> \u09a8\u09a6\u09c0\u09b0<\/em> \u09b8\u0999\u09cd\u0997\u09c7<\/em>,<\/em><\/p>\n \u09af\u09c7<\/em> \u09a8\u09a6\u09c0<\/em>, <\/em>\u0995\u09c7\u0989<\/em> \u099c\u09be\u09a8\u09c7<\/em> \u09a8\u09be<\/em> \u0995\u09cb\u09a5\u09be<\/em> \u09a5\u09c7\u0995\u09c7<\/em> \u0986\u09b8\u09c7<\/em>, <\/em><\/p>\n \u09af\u09be\u09df<\/em> \u0995\u09cb\u09a5\u09be<\/em> \u0985\u09ac\u09a7\u09bf<\/em>\u0964<\/em><\/p>\n \u0995\u09ac\u09bf\u09a4\u09be<\/em> \u09ac\u09b2\u09c7<\/em> \u09a6\u09c7\u09af\u09bc<\/em> \u0995\u09bf\u09ad\u09be\u09ac\u09c7<\/em> \u09b8\u09ac\u0995\u09bf\u099b\u09c1<\/em> \u09b8\u09c3\u09b7\u09cd\u099f\u09bf<\/em> \u09b9\u09df<\/em><\/p>\n \u09b6\u09c1\u09a7\u09c1\u09ae\u09be\u09a4\u09cd\u09b0<\/em> \u09b8\u09c7<\/em> \u099b\u09be\u09dc\u09be<\/em>,<\/em><\/p>\n \u09af\u09be\u09b0<\/em> \u09b8\u09c2\u099a\u09a8\u09be<\/em> \u098f\u0995\u099f\u09be<\/em> \u09a7\u09c2\u09b8\u09b0<\/em> \u09ae\u09c1\u09b9\u09c2\u09b0\u09cd\u09a4<\/em> \u09b9\u09a4\u09c7<\/em>,<\/em><\/p>\n \u098f\u0987<\/em> \u09ad\u09cb\u09b0\u09c7\u09b0<\/em> \u09ae\u09a4\u09cb<\/em>,<\/em><\/p>\n \u098f\u09ac\u0982<\/em> \u09b6\u09c7\u09b7\u0993<\/em> \u09b9\u09df<\/em> \u0986\u0995\u09b8\u09cd\u09ae\u09bf\u0995\u09ad\u09be\u09ac\u09c7<\/em>
\n1949-2024<\/p>\n
\nif the poem is not visible (that means rainy sky)
\nthe poem is what explains everything, it gives light
\nto the earth, to the sky and with clouds in between
\n– light is bothersome when it is excessive. Then
\nthe poem rises with the mists that the day drags along;
\nit slips through the treetops, sings with the birds
\nand runs with the brooks that nobody knows
\nwhere they come from and where they go to.
\nThe poem tells how everything is made:
\nexcept itself, which begins by a grey chance,
\nlike this morning, and ends, also by chance,
\nwith the sun wishing to break through.<\/p>\n
\nTranslation Germain Droogenbroodt<\/em><\/p>\n
\n<\/strong>
\nElk gedicht begint ‘s morgens, met de zon. Zelfs
\nals de zon niet zichtbaar is, (dat wil zeggen, bij regenachtig weer),
\nverklaart het gedicht alles, het geeft licht aan de aarde,
\naan de hemel en met wolken tussendoor – het licht stoort,
\nals het te fel is. Daarna stijgt het gedicht op
\nmet de mist die de dag met zich meesleept; het dringt door de kruinen van de bomen, zingt met de vogels en stroomt met de beken waarvan niemand weet waar ze vandaan komen en waarheen
\nze gaan. Het gedicht vertelt hoe alles tot stand komt:
\nbehalve het gedicht zelf, dat begint door een grijs toeval,
\nzoals deze ochtend, en eindigt, eveneens bij toeval,
\nmet de zon die door wil breken.<\/p>\n
\nNUNO J\u00daDICE<\/strong>, Portugal, 1949-2024
\nVertaling August Willemsen<\/em><\/p>\n
\nTraducci\u00f3 al catal\u00e0: Natalia Fern\u00e1ndez D\u00edaz-Cabal<\/em><\/p>\n
\nque o poema non estea \u00e1 vista (isto \u00e9, ceo de choiva)
\no poema \u00e9 o que explica todo, o que d\u00e1 luz
\n\u00e1 terra, ao ceo, e con nubes mesturadas – a luz incomoda
\ncando \u00e9 excesiva. Despois, o poema sobe
\ncoas n\u00e9boas que o d\u00eda arrastra; m\u00e9tese polas copas das
\n\u00e1rbores, canta cos paxaros e corre cos regatos
\nque ve\u00f1en non se sabe de onde e van para onde
\nnon se sabe. O poema conta como todo \u00e9 feito:
\nmenos el mesmo, que comeza por un acaso cinsento,
\ncomo esta ma\u00f1\u00e1, e acaba, tam\u00e9n por acaso,
\nco Sol a querer romper.<\/p>\n
\nTraduci\u00f3n ao galego por Laura Paz Fentanes<\/em><\/p>\n
\nNahiz eta eguzkia ez ikusi (euritsua den zeruaren azpian),
\npoema da dena argitzen duena, lurra eta zerua,
\nhodeien artean nahasten den argia \u2013 batzuetan gehiegi, deserosoa.<\/p>\n
\nzuhaitzen goiko adarretan sartzen da,
\ntxorien kantuekin dantzan,
\neta iturri ezezagunetatik korrika, helmuga ez dakitenez.<\/p>\n
\nbere burua izan ezik, ausazko hauts gris batekin hasten dena,
\ngoize honetako antzera, eta amaitzen dena ere,
\nzoritxarrez, eguzkia berriz azaldu nahian.<\/p>\n
\nTraducci\u00f3n de Elisa Rueda<\/em><\/p>\n
\nque o poema n\u00e3o esteja \u00e0 vista (isto \u00e9, c\u00e9u de chuva)
\no poema \u00e9 o que explica tudo, o que d\u00e1 luz
\n\u00e0 terra, ao c\u00e9u, e com nuvens \u00e0 mistura – a luz incomoda
\nquando \u00e9 excessiva. Depois, o poema sobe
\ncom as n\u00e9voas que o dia arrasta; mete-se pelas copas das
\n\u00e1rvores, canta com os p\u00e1ssaros e corre com os ribeiros
\nque v\u00eam n\u00e3o se sabe de onde e v\u00e3o para onde
\nn\u00e3o se sabe. O poema conta como tudo \u00e9 feito:
\nmenos ele pr\u00f3prio, que come\u00e7a por um acaso cinzento,
\ncomo esta manh\u00e3, e acaba, tamb\u00e9m por acaso,
\ncom o sol a querer romper.<\/p>\n
\nM\u00edn\u00edonn an d\u00e1n an uile n\u00ed. Ag soilsi\u00fa
\nan cruinne, an sp\u00e9ir is na n\u00e9alta
\ntugann s\u00e9 l\u00e9argas ar chro\u00ed an r\u00fain.
\nScaipeann leis an gceo,<\/p>\n
\nritheann leis an uisce is n\u00ed fheadar c\u00e1 dt\u00e9ann.
\nIns\u00edonn an d\u00e1n d\u00fainn faoi ghini\u00faint na beatha:
\nach fanann ina thost faoina ghini\u00faint f\u00e9in;
\nis de thaisme a tharla\u00edonn, is de thaisme a im\u00edonn,
\nn\u00edl ann d\u00e1ir\u00edre ach geal\u00e1n gr\u00e9in.<\/p>\n
\nLeagan Gaeilge le Rua Breathnach<\/em><\/p>\n
\nTranslated into Albanian by Irma Kurti<\/em><\/p>\n
\n<\/em><\/strong>\u09b8\u09c3\u09b7\u09cd\u099f\u09bf<\/em><\/strong><\/p>\n